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Towards an Ecology of Cinema

The Day of the Claw: A Synoptic Account of Alfred Hitchcock’s The Birds

In this brilliantly imaginative piece, Ken Mogg takes several literary texts and uses them to synoptically illuminate Hitchcock’s intentions behind The Birds. Don’t for a

Confining Nature: Rites of Passage, Eco-Indigenes and the Uses of Meat in Walkabout

Gregory Stephens explores how the rites of passage chronicled in Nicolas Roeg’s Walkabout contribute towards the film’s critique of the post-industrial world’s attitudes towards nature

André Bazin’s Ontological Other: The Animal in Adventure Films

Cinema has long portrayed the lives of animals and their relationships with human beings. Seung-hoon Jeong examines André Bazin’s writings on such films as Crin

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