World Poll 2023 – Part 8 the editors January 2024 World Poll ENTRIES IN PART 8: Maria San Filippo Rowena Santos Aquino Jack Sargeant Hamed Sarrafi Christine Sathiah Andrea Schmidt Dr James Slaymaker Valerie Soe Öykü Sofuoğlu Karina Solórzano Mark Spratt Vedan...
We Can’t Save The Victims: Hauntology in Tony Scott’s Déjà Vu Aryan Tauqeer Khawaja November 2023 Feature Articles “To haunt does not mean to be present, and it is necessary to introduce haunting into the very construction of a concept” - (Specters of Marx: The State of the Debt, the Work of Mourning and the New interna...
Mapping Global Horror: Academic roundtable Amanda Barbour November 2023 Interviews Mapping Global Horror: Australia, Japan and Beyond brought world-leading scholars and filmmakers to Wurundjeri country for a two-day conference to navigate how the titular genre moves through time, space and cu...
Czechoslovakia’s King and Queen of Comedy: Anny Ondra and Vlasta Burian in An Old Gangster’s Molls Shari Kizirian November 2023 CTEQ Annotations on Film The third film written by Josef Skružný and his nephew Elmar Klos to star Vlasta Burian, An Old Gangster’s Molls (Milenky starého kriminálníka, 1927) is built around two of Czechoslovakia’s biggest stars. Nickn...
Our Body is a Battleground: An Interview with Claire Simon Öykü Sofuoğlu November 2023 Interviews This year's Berlinale was marked by Nicolas Philibert's surprising victory with his modest and intimate documentary about a Parisian psychiatric institution, which prompted us to question the established bounda...
Woo, John Jeremy Carr November 2023 Great Directors b. September 22, 1946 (birthdate as stated on passport), Guangzhou, China While several filmmakers have become synonymous with specific genres, few have carved out as inimitable and identifiable a niche within...
The Rebellious and the Rigorous: The Red Years of Cahiers du cinéma (1968-1973), by Daniel Fairfax Tony McKibbin August 2023 Book Reviews There are so many ways into Daniel Fairfax’s vast and very impressive account of Cahiers du cinéma during the properly tumultuous period between 1968 and 1973. How could they not have been clamorous when France...
Of What is Merata Mita/Mauri the Name? Simon Sigley July 2023 CTEQ Annotations on Film Mauri (1988) is the only feature-length fiction film that Merata Mita (1942–2010) made across her decades-long engagement with audio-visual narrative. It may also not be the work for which she is best remembere...
“Is that what I was afraid of?” New and Old Fears in Peter Bogdanovich’s Targets (1968) Jacob Agius June 2023 CTEQ Annotations on Film Peter Bogdanovich’s debut feature, Targets (1968), is a left-of-centre horror film that initially seems to stand out as an anomaly within his filmography – predominantly comprised of comedies and dramas harkeni...
Sharing is Transgressing: Piracy, Film Societies and Independent Filmmaking in Dhaka Imran Firdaus May 2023 Cinema and Piracy Pirated films found a place in the social and cultural sphere of the People’s Republic of Bangladesh during the 1980s. State controlling the access to and the viewing of films is nothing new. As Amos Vogel stat...
The Exorcism of Sinister Ghosts: Saralisa Volm’s The Silent Forest Peter Verstraten May 2023 Feature Articles Papas Kino (Daddy’s Cinema) was the derogatory term applied to the post-war West German films that reproduced the conventions of movies made in the fascist era. The so-called Heimatfilm (“homeland movie”) in pa...
When in Love, Make a Film: Interview with Alexandre O. Philippe Hamed Sarrafi May 2023 Interviews Over the course of nearly two decades, Alexandre O. Philippe has celebrated and explored the iconic figures of the seventh art, from Lucas and Ford to Hitchcock and Lynch. His unique approach not only reveals n...
Thompson, J. Lee Jeremy Carr May 2023 Great Directors b. 1 August, 1914, Bristol, England, UK d. 30 August, 2002, Sooke, British Columbia, Canada He directed some of the most famous actors in film history, from Robert Mitchum, Gregory Peck, and Anthony Quinn, to...
The Cost of Living: Bill Mousoulis’ Lovesick (2002) Jake Wilson May 2023 CTEQ Annotations on Film “If a viewer understands the story and characters fully, then I have failed.” – Bill Mousoulis on Lovesick Those were the days, when you could have no income to speak of and still live in Collingwood. I m...
“Match me, Sidney”: Burt Lancaster and the Sweet Smell of Success (Alexander Mackendrick, 1957) Adrian Danks April 2023 CTEQ Annotations on Film Sweet Smell of Success (1957) is a landmark in the careers of actors Burt Lancaster and Tony Curtis, screenwriter Clifford Odets, and director Alexander Mackendrick. It is also a film that pulses with the claus...
The Grey Fox and the Platinum Blonde: Marilyn Monroe in Howard Hawks’ Monkey Business (1952) Andréas Giannopoulos April 2023 CTEQ Annotations on Film “She’s as phony as a three dollar bill, and you’re trying to make her real”, director Howard Hawks told 20th Century-Fox executive Darryl F. Zanuck after the latter complained about losing money on his studio’s...
Afterwater: A Conversation with Dane Komljen Maria Giovanna Vagenas March 2023 Interviews Afterwater, conceived, directed and edited by Dane Komljen, is both as limpid as the water of the lakes that appear in it, and as complex as their, often, unfathomable depths. With an inventive, sensitive appro...
In Search of Lost Time: An Interview with Christophe Honoré David A. Gerstner January 2023 Interviews “It is not enough for a painter like Cézanne, an artist, or a philosopher, to create or express an idea,” writes Maurice Merleau-Ponty. The artist and philosopher, he continues, “must also awaken the experience...
About Time: Interview with Cyril Schäublin Hamed Sarrafi January 2023 Interviews In his latest film, Unrest (2022), Swiss director Cyril Schäublin has created something new and unique. Together with his feature debut, Those Who Are Fine (2017), he has developed his own aesthetic style and n...
Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival Kohei Usuda January 2023 Festival Reports If an argument can be made that film festivals reflect some of the unique traits of their host cities, the sprawling format of the Tokyo International Film Festival certainly bears out this hypothesis. Alth...
World Poll 2022 – Part 1 the editors January 2023 World Poll ENTRIES IN PART 1: Antti Alanen Hussain Al-Dubaisi Francisco Algarín Navarro Algitya Algi Michael J. Anderson Martyn Bamber Jennifer Lynde Barker Kyle Barrowman Mike Bartlett Nicolas Bartlett Arta Ba...
World Poll 2022 – Part 4 the editors January 2023 World Poll ENTRIES IN PART 4: Dr Lisa Harper Campbell Craig Harshaw Michael Heath Alain Hertay David Heslin Lee HillKierran Horner Christoph Huber Robert Hughes Darik Janik Tara Judah Dr Lisa Harper Campb...
World Poll 2022 – Part 6 the editors January 2023 World Poll ENTRIES IN PART 6: Josh B Mabe Jonathan Mackris Ioannis Makris Bob Manning Miguel MaríasJack Mcculloch Jamie Mendonça Douglas Messerli Stefano Miraglia Olaf Möller Josh B Mabe Librarian & F...
World Poll 2022 – Part 7 the editors January 2023 World Poll ENTRIES IN PART 7: Peter Nagels Andy Norton Veton Nurkollari Darragh O’Donoghue Roberto Oggiano Wilfred Okiche Andreea Patru Andrew F Peirce Jesse PercivalAntoni Peris-Grao Andréa Picard Milan Pribis...
World Poll 2022 – Part 8 the editors January 2023 World Poll ENTRIES IN PART 7: Maria San Filippo Rowena Santos Aquino José Sarmiento Hinojosa Valerie Soe Öykü Sofuoğlu Mark Spratt Vedant Srinivas Tyson Stewart Iván SuárezJosh Timmermann Tomas Trussow Koen Van...
Digitality and the Persistence of Realism in Birdman Jonah Jeng January 2023 The Geometry of Movement: Computer-Generated Imagery in Film This article has been peer reviewed. There is a scene in Alejandro González Iñárritu’s Birdman or (The Unexpected Virtue of Ignorance) (2014) in which two characters play a game of “Truth or Dare” while chatti...
Notes on Depth Two Nikola Matevski October 2022 After Yugoslavia In what is perhaps the most disturbing and moving part of Dubina dva (Depth Two, Ognjen Glavonić, 2016), a female voice narrates the events of late March 1999 in the village of Suva Reka in Kosovo, a province t...
Unrealisable woman: Tania in Stanley Kubrick’s Aryan Papers Joy McEntee October 2022 Feature Articles This article was peer reviewed. Introduction Stanley Kubrick oscillated between torturing his female characters and exhibiting sympathy for them. Sometimes, he both tortured women and exhibited sympathy at th...
Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh Tom Boniface-Webb October 2022 Book Reviews Bloomsbury Academic chooses for the most recent entry to its Philosophical Filmmakers series, the British/American writer, producer, director, Christopher Nolan. In an age where blockbuster cinema has been wres...
Craven, Wes Hal Young October 2022 Great Directors b. 2 August, 1939, Cleveland, Ohio, U.S.A d. 30 August, 2015, Los Angeles, California, U.S.A 'The family is the best microcosm to work with…’ - Wes Craven Introduction Few directors have garnered such pola...
Skies Over and Caves Under Kutaisi: Kutaisi International Short Film Festival Levan Tskhovrebadze October 2022 Festival Reports Kutaisi International Short Film Festival (KISFF) is a pure manifestation of how film festivals can enrich and enhance a city’s cultural landscape. Kutaisi – the second largest city in Georgia – is also burstin...
“There’s meaning in a cup of tea”: Cecil Holmes’ Weekly Review no. 374: The Coaster (1948) Adrian Danks October 2022 CTEQ Annotations on Film Most discussion of the career of Cecil Holmes focuses, understandably, on the 30-year body of work he completed after migrating to Australia from New Zealand in 1949. Those who comment on Holmes’ much shorter s...
Normality: The 2022 Cannes Film Festival Daniel Fairfax August 2022 Festival Reports “Back to normal” was undoubtedly the prevailing ethos of this year’s Cannes film festival. This was to be expected after the cancellation of the festival in 2020, with even the powers-that-be at Cannes having t...
Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement Selen Ozturk July 2022 Feature Articles The revolution may not have been televised, but it was certainly filmed. In 1970, youth rallied in droves and studios rolled out the little red carpet: MGM released The Strawberry Statement (Stuart Hagmann), Za...
Trafic at 30, End of a Film Journal Emmanuel Bonin July 2022 Book Reviews Being a French speaker brings many advantages in this world, but few so dear to my heart as being able to read through any release of Trafic, the cinema journal founded by Serge Daney and Jean-Claude Biette in ...
Man of Cinema: Jean-Louis Comolli (July 30, 1941–May 19, 2022) Daniel Fairfax July 2022 Obituary Critic, film theorist and filmmaker, Jean-Louis Comolli died in his adoptive home city of Paris on May 19, 2022, at the age of 80. An editor of Cahiers du Cinéma from 1965 to 1973, his international reputation ...