Masculine Subjectivity and the Representation of Woman: The Films of Philippe Garrel
An intriguing study into the complex forms of representation in Garrel's cinema
Jesus’ Son
(Alison Maclean, 1999) It has been a long time between cinematic ‘drinks’ for Alison Maclean. The Canadian-born, ex-New Zealand and now New York-based director first
“Shall We Jazz?” – Modernism in Australian Films of the ’20s
Bill Routt reveals "flashes" of modernism in early Australian film
Too Much Bacon: What’s Visible in Hollow Man
(Paul Verhoeven, 2000) “What would you do if you were invisible?” This is not a question posed by Paul Verhoeven in his latest film, Hollow
An Interview with Sotiris Goritsas
Petro Alexiou interviews one of the more notable contemporary Greek filmmakers
Chopper
(Andrew Dominik, 2000) “Apparently he feels no pain.” Mick Harvey, screen composer for the film Chopper, enlightens me about the film’s main character. There’s no
A Brief Introduction to the Beat (in) Film
The glorious Beat Cinema here intelligently and knowledgeably discussed
In Praise of Trailers
In this vivid and fascinating account, Brad Stevens gives due to the trailer