Baroque Perceptual Regimes
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * We
This Wounded Cinema, This Wounded Life
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * I
The Death and Rebirth of Rhetoric
This paper was presented at the Society for Cinema Studies Conference 2000 at the Congress Plaza Hotel, Chicago on March 11, 2000, as part of
Renaldo & Clara Meet John Cage: Aleatory Cinema and the Aesthetics of Incompetence
This paper was presented at the Society for Cinema Studies Conference 2000 at the Congress Plaza Hotel, Chicago on March 11, 2000, as part of
Optimal Viewing Distance – Memory as Telaesthesia
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * The
Betty Grable Finally Dances with Baron Leopold Von Sacher-Masoch
This paper was presented at the Society for Cinema Studies Conference 2000 at the Congress Plaza Hotel, Chicago on March 11, 2000, as part of
What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh
This is a chapter from a forthcoming book of collected essays by Vivian Sobchack. It shares ideas with a paper given at the Special Effects/Special
10th Melbourne Queer Film & Video Festival
An overview of this year's Queer film festival, with Ben Zipper lamenting the lack of truly daring films
French Film Festival
Quick impressions of all 11 French films that played recently at Melbourne's Como Cinema
Interview with Mary Stephen
Rohmer's editor of the past 10 or so years talks about the director's unique working methods