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  • Features
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    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Jennifer Kirby
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Joy Castro
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      James Slaymaker
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Alex Munt
      October 2019
      Issue 92
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      “Women’s Stories Aren’t Told in Laos”: An Interview with Mattie Do

      Emma Westwood
      December 2017
      Feature Articles
      Issue 85
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    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Cerise Howard
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Leonardo Goi
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      David Morgan-Brown
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Alexandra Heller-Nicholas
      October 2019
      Issue 92
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    • The Dark Side of Paris: The Second Festival du film fantastique and the Fourteenth Festival des cinémas différents et expérimentaux

      Gemma King
      March 2013
      Festival Reports
      Issue 66
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    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Dudley Andrew
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Bruce Hodsdon
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Jeremi Szaniawski
      October 2019
      Issue 92
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      Daniel Fairfax
      July 2019
      Issue 91
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      the editors
      December 2012
      Book Reviews
      Issue 65
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    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Joanna Di Mattia
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Danica van de Velde
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Darragh O’Donoghue
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Adrian Danks
      October 2019
      Issue 92
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      Wheeler Winston Dixon
      September 2009
      Cinémathèque Annotations on Film
      Issue 52
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    • Fei Mu

      Jasper Mäkinen
      October 2019
      Issue 92
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      Bruce Jackson
      July 2019
      Issue 91
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      Jeremy Carr
      July 2019
      Issue 91
    • Klapisch, Cédric

      Ben McCann
      March 2019
      Issue 90
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    • Clouzot, Henri-Georges

      Fiona Watson
      July 2005
      Great Directors
      Issue 36
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Tagged ecocinema

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Beyond Green: Ecocinema Theory and Practice, edited by Stephen Rust, Salma Monani and Sean Cubitt

Adam O'Brien
June 2013
Book Reviews
Issue 67
This book can reasonably be described as marking the arrival of eco film criticism into mainstream film studies discourse. Over the past ten to...

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