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	<title>Senses of Cinema &#187; French Film</title>
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	<description>Issue 62</description>
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		<title>The New Face of Political Cinema: Commitment in French Film Since 1995 by Martin O’Shaughnessy</title>
		<link>http://sensesofcinema.com/2009/book-reviews/the-new-face-of-political-cinema-commitment-in-french-film-since-1995-by-martin-oshaughnessy/</link>
		<comments>http://sensesofcinema.com/2009/book-reviews/the-new-face-of-political-cinema-commitment-in-french-film-since-1995-by-martin-oshaughnessy/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 07:31:29 +0000</pubDate>
		<dc:creator>Alex Ling</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Issue 53]]></category>
		<category><![CDATA[French Film]]></category>

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		<description><![CDATA[The relationship of cinema to politics has a rich and chequered history, effectively dictating the form of many of cinema’s most vibrant configurations (Russian cinema in the wake of the 1917 revolution, Italian neorealism after the Second World War…). The real stakes of the affair however were perhaps most clearly spelt out in France in ]]></description>
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