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  • Features
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    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Joanna Di Mattia
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Jytte Holmqvist
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Brigitta Wagner
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Peter Verstraten
      March 2018
      Issue 86
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    • The Desire and the Exception

      Jacques Kermabon
      December 2012
      Feature Articles
      Issue 65
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    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Tara Judah
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Bérénice Reynaud
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Charles Fairbanks
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Parichay Patra
      March 2018
      Issue 86
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    • Hungarian Rhapsody: The Experimental Forum at the 49th Thessaloniki International Film Festival

      Maximilian Le Cain
      April 2009
      Festival Reports
      Issue 50
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    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Dean Brandum
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Felicity Chaplin
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Tony McKibbin
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Tim O’Farrell
      March 2018
      Issue 86
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    • Confronting the Future: Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno, by Miriam Bratu Hansen

      Tony McKibbin
      December 2014
      Book Reviews
      Issue 73
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Victoria Loy
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Patrick Garson
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Lindsay Henderson
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Eloise Ross
      March 2018
      Issue 86
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    • The Unknown

      Michael Koller
      July 2010
      Cinémathèque Annotations on Film
      Issue 55
  • Great Directors
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    • Chantal Akerman

      Chantal Akerman

      Gwendolyn Audrey Foster
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Julia Vassilieva
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Jeremy Carr
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Luke Aspell
      December 2017
      Issue 85
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    • Leo McCarey

      Paul Harrill
      December 2002
      Great Directors
      Issue 23
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Tagged Georges Méliès

thumb image

‘Chromatic Frankenstein’s Monsters?’: Restoration, Colour and Variants of Georges Méliès’s Voyage dans la Lune

Wendy Haslem
December 2012
Feature Articles
Issue 65
The restored edition of ‘the original colour version’ of Voyage dans la Lune (Trip to the Moon, Georges Méliès, 1902/Lobster Films, 2011)...
thumb image

Hugo, Remediation, and the Cinema of Attractions, or, The Adaptation of Hugo Cabret

Jennifer Clement and Christian B. Long
July 2012
Feature Articles
Issue 63
It’s obvious that Martin Scorsese’s movie Hugo (2011) showcases its director’s great love of cinema and cinema history. Less obvious, perhaps,...
thumb image

Georges Méliès

Darragh O’Donoghue
July 2004
Great Directors
Issue 32
b. Marie-Georges-Jean Méliès b. December 8, 1861, Paris, France d. January 21, 1938, Paris, France Filmography Select Bibliography Web...

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