Senses of Cinema logo
Search
Subscribe

Subscribe to Senses of Cinema to receive news of our latest cinema journal.
Enter your email address below:

Submit
  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Jennifer Kirby
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Joy Castro
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      James Slaymaker
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Alex Munt
      October 2019
      Issue 92
    more articles...
    Random
    • Defeating the Irremediable Solitude of the Guest: An Interview with José Luis Guerin

      Rolando Caputo
      April 2011
      Feature Articles
      Issue 59
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Cerise Howard
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Leonardo Goi
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      David Morgan-Brown
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Alexandra Heller-Nicholas
      October 2019
      Issue 92
    more articles...
    Random
    • Native Peoples, Global Films: the Maoriland Film Festival

      Felicity Collins
      June 2014
      Festival Reports
      Issue 71
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Dudley Andrew
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Bruce Hodsdon
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Jeremi Szaniawski
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Daniel Fairfax
      July 2019
      Issue 91
    more articles...
    Random
    • ‘Are you by any chance a sad-eyed, innocent villain in pictures?’ / ‘Yes, I'm afraid I am’ (1) Peter Lorre: Face Maker by Sarah Thomas

      Todd Herzog
      September 2012
      Book Reviews
      Issue 64
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Joanna Di Mattia
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Danica van de Velde
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Darragh O’Donoghue
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Adrian Danks
      October 2019
      Issue 92
    more articles...
    Random
    • Something New and Pure: Time Stood Still (Ermanno Olmi, 1959)

      Donovan Renn
      October 2019
      Cinémathèque Annotations on Film
      Issue 92
  • Great Directors
    Recent
    • Fei Mu

      Jasper Mäkinen
      October 2019
      Issue 92
    • Huston, John

      Bruce Jackson
      July 2019
      Issue 91
    • Stone, Oliver

      Jeremy Carr
      July 2019
      Issue 91
    • Klapisch, Cédric

      Ben McCann
      March 2019
      Issue 90
    more articles...
    Random
    • Wang Xiaoshuai

      Dror Kochan
      October 2003
      Great Directors
      Issue 28
  • Podcast
  • Support Senses
  • Shop
  • Subscribe
Can you spare a few dollars to help us keep publishing outstanding writing on cinema?

Support us by joining our Patreon community and get heaps of rewards like e-Zines & bonus podcast content!

Join up now >>

  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Past Issues
  • Special Dossiers
  • World Poll
  • Advertisers
  • Proposals
  • Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
  • Subscribe

Tagged Golden Horseshoes

thumb image

Bouzid, Nouri

Martin Stollery
September 2013
Great Directors
Issue 68
b. 1945, Sfax, Tunisia Nouri Bouzid is Tunisia’s most prominent and prolific filmmaker. In a small nation, with limited production opportunities,...

Read the Senses of Cinema World Poll 2018

INTRODUCTION

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7

Join Us

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

Webmaster and Administrator: Bradley Dixon

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff