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	<title>Senses of Cinema &#187; interview</title>
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	<link>http://sensesofcinema.com</link>
	<description>Issue 62</description>
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		<title>“You&#8217;ve got to work at maintaining your version of the world. So start being alone!” An Interview with Terry Gilliam</title>
		<link>http://sensesofcinema.com/2009/52/youve-got-to-work-at-maintaining-your-version-of-the-world-so-start-being-alone-an-interview-with-terry-gilliam/</link>
		<comments>http://sensesofcinema.com/2009/52/youve-got-to-work-at-maintaining-your-version-of-the-world-so-start-being-alone-an-interview-with-terry-gilliam/#comments</comments>
		<pubDate>Tue, 29 Sep 2009 11:00:58 +0000</pubDate>
		<dc:creator>Maša Peče</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 52]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Terry Gilliam]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=158</guid>
		<description><![CDATA[A wide-ranging interview in which Gilliam talks at length about his life, his work, the malaise of the film industry, and the state of the world. As expected from Gilliam, it makes for fascinating and sometimes controversial reading]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Adapting Julio Cortázar: Interview with Nicolas Humbert on Lucie et maintenant – Journal nomade</title>
		<link>http://sensesofcinema.com/2009/50/nicolas-humbert-cortazar/</link>
		<comments>http://sensesofcinema.com/2009/50/nicolas-humbert-cortazar/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 12:20:18 +0000</pubDate>
		<dc:creator>Andreas Wutz</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2529</guid>
		<description><![CDATA[The film takes as its source Cortázar’s (and wife-photographer Carol Dunlop’s) book about their unusual road trip from Paris to Marseille, titled <em>Autonauts of the Cosmoroute</em>. Humbert discusses the intricate process of adapting such a unique book to the screen]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Il faut tout (re)garder dans son format d’origine: An Interview with Claude Bertemes, Director of the Cinémathèque de la Ville de Luxembourg</title>
		<link>http://sensesofcinema.com/2009/50/claude-bertemes-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/claude-bertemes-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 12:18:43 +0000</pubDate>
		<dc:creator>Christophe Sorro</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2527</guid>
		<description><![CDATA[The origins of the Luxembourg Cinémathèque is a fascinating story of cinéphilia in its own right. Claude Bertemes discusses the Cinémathèque’s history, along with issues about curatorship, preservation, and film and technology in the digital age]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Monologist and the Fighter: An Interview with Bob Rafelson</title>
		<link>http://sensesofcinema.com/2009/50/bob-rafelson-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/bob-rafelson-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 12:17:13 +0000</pubDate>
		<dc:creator>Rainer Knepperges</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2523</guid>
		<description><![CDATA[For any scholar of the so-called New American cinema of the late ’60s and early ’70s, the career of Bob Rafelson makes for an interesting case study. A wide-ranging interview with the director of <em>Five Easy Pieces</em>, <em>Stay Hungry</em> and <em>Mountains of the Moon</em]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Andrew V. McLaglen: Last of the Hollywood Professionals</title>
		<link>http://sensesofcinema.com/2009/50/andrew-v-mclaglen-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/andrew-v-mclaglen-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 12:16:57 +0000</pubDate>
		<dc:creator>Wheeler Winston Dixon</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2522</guid>
		<description><![CDATA[Andrew V. McLaglen never quite reached the ranks of auteur, but he left his mark in his own way. This career interview offers real insight into the working life of a noted director in the studio era]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2009/50/andrew-v-mclaglen-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“There is no Authenticity in the Cinema!”: An Interview with Andreas Dresen</title>
		<link>http://sensesofcinema.com/2009/50/andreas-dresen-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/andreas-dresen-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 12:16:47 +0000</pubDate>
		<dc:creator>Marco Abel</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2521</guid>
		<description><![CDATA[Dresen has directed eight feature films and, as Abel reveals, “Is one of the rare successful contemporary German directors who was born and raised in the GDR [former East Germany] and has managed to adjust to the market-driven rules of filmmaking characteristic of reunified Germany.”]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Satan Chic: An Interview with Cult British Horror Director Norman J. Warren</title>
		<link>http://sensesofcinema.com/2009/50/norman-j-warren-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/norman-j-warren-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 12:16:03 +0000</pubDate>
		<dc:creator>Adam Locks</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2528</guid>
		<description><![CDATA[Warren, together with his contemporary Pete Walker, were seen as the “two young Turks of British ’70s horror” that took the genre beyond the gothic Hammer studio template. The director of such titles as <em>Her Private Hell</em>, <em>Satan’s Slave</em> and <em>Terror</em> discusses his career]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2009/50/norman-j-warren-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Who’s John Ford?”: An Interview with Lisandro Alonso</title>
		<link>http://sensesofcinema.com/2009/50/lisandro-alonso-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/lisandro-alonso-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 05:33:04 +0000</pubDate>
		<dc:creator>Darren Hughes</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Lisandro Alonso]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2526</guid>
		<description><![CDATA[The Argentine director of the impressive <em>Los Muertos</em> (2004) discusses his impressive recent feature, <em>Liverpool</em]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2009/50/lisandro-alonso-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Albert Serra Interviewed on El Cant dels ocells (Birdsong)</title>
		<link>http://sensesofcinema.com/2009/50/albert-serra-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/albert-serra-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 05:33:04 +0000</pubDate>
		<dc:creator>Darren Hughes</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[Albert Serra]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2525</guid>
		<description><![CDATA[Serra places his film dealing with the Three Wise Men in the same tradition of religious films as those of Dreyer, Rossellini and Pasolini]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2009/50/albert-serra-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dancing Reveals So Much: An Interview with Claire Denis</title>
		<link>http://sensesofcinema.com/2009/50/claire-denis-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/claire-denis-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 05:33:04 +0000</pubDate>
		<dc:creator>Darren Hughes</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[Claire Denis]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2524</guid>
		<description><![CDATA[Denis discusses her recent feature, <em>35 Shots of Rum</em>, a film inspired by Yasujiro Ozu’s <em>Late Spring</em>, and, as Hughes puts it, “a love story – or, in fact, <em>several</em> love stories – told in small gestures and commonplace tragedies”]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2009/50/claire-denis-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Deval in ’68: An Interview with Patrick Deval</title>
		<link>http://sensesofcinema.com/2008/48/patrick-deval/</link>
		<comments>http://sensesofcinema.com/2008/48/patrick-deval/#comments</comments>
		<pubDate>Wed, 27 Aug 2008 02:03:16 +0000</pubDate>
		<dc:creator>Maximilian Le Cain</dc:creator>
				<category><![CDATA[Before the Revolution]]></category>
		<category><![CDATA[Issue 48]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Patrick Deval]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2568</guid>
		<description><![CDATA[The director of <em>Acéphale</em> and <em>Héraclite l’obscur</em> looks back on the people, films and events that have shaped his work and thoughts]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2008/48/patrick-deval/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Film is Trying to Build a Sort of Eternity: An Interview with Mahamet-Saleh Haroun</title>
		<link>http://sensesofcinema.com/2008/feature-articles/mahamet-saleh-haroun/</link>
		<comments>http://sensesofcinema.com/2008/feature-articles/mahamet-saleh-haroun/#comments</comments>
		<pubDate>Mon, 19 May 2008 06:35:00 +0000</pubDate>
		<dc:creator>Angela Dalle Vacche</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 47]]></category>
		<category><![CDATA[African cinema]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2789</guid>
		<description><![CDATA[The Chad-born director of <em>Bye Bye Africa</em>, <em>Abouna</em> and <em>Darratt</em> discusses the significance of his films, and the broader context of African Cinema today]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2008/feature-articles/mahamet-saleh-haroun/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Will the Real Revolution Please Stand Up: An Interview with Lech Kowalski</title>
		<link>http://sensesofcinema.com/2008/feature-articles/lech-kowalski-interview/</link>
		<comments>http://sensesofcinema.com/2008/feature-articles/lech-kowalski-interview/#comments</comments>
		<pubDate>Sun, 16 Mar 2008 07:39:57 +0000</pubDate>
		<dc:creator>Jennifer Jones</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 46]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2801</guid>
		<description><![CDATA[An in-depth discussion with the director of such cult-music era-defining documentaries as <em>Hey is Dee Dee Home</em>, <em>Born to Lose</em> and the ‘Sex Pistols in America’ movie <em>D.O.A.</em>, together with outstanding films such as <em>Hitler’s Highway</em> and, most recently, <em>Winners and Losers</em>. Surprising revelations are to be found in what Kowalski has to say on all manner of subjects]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2008/feature-articles/lech-kowalski-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Orson Welles</title>
		<link>http://sensesofcinema.com/2008/46/orson-welles-bazin-bitsch/</link>
		<comments>http://sensesofcinema.com/2008/46/orson-welles-bazin-bitsch/#comments</comments>
		<pubDate>Sun, 16 Mar 2008 07:20:04 +0000</pubDate>
		<dc:creator>André Bazin and Charles Bitsch</dc:creator>
				<category><![CDATA[Issue 46]]></category>
		<category><![CDATA[The New Wave Remembered: Focus on Charles Bitsch]]></category>
		<category><![CDATA[André Bazin]]></category>
		<category><![CDATA[Charles Bitsch]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Orson Welles]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2798</guid>
		<description><![CDATA[In the first decade of the <em>Cahiers</em> era, Bitsch conducted many interviews with Hollywood directors. He has expressed great fondness for this particular one – because of Welles and in memory of his co-interviewer, the legendary André Bazin]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2008/46/orson-welles-bazin-bitsch/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Charles Bitsch</title>
		<link>http://sensesofcinema.com/2008/46/charles-bitsch-interview/</link>
		<comments>http://sensesofcinema.com/2008/46/charles-bitsch-interview/#comments</comments>
		<pubDate>Sun, 16 Mar 2008 07:05:02 +0000</pubDate>
		<dc:creator>Sally Shafto</dc:creator>
				<category><![CDATA[Issue 46]]></category>
		<category><![CDATA[The New Wave Remembered: Focus on Charles Bitsch]]></category>
		<category><![CDATA[Charles Bitsch]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2794</guid>
		<description><![CDATA[Wide-ranging interview in which Bitsch discusses his youthful cinéphilia, his association with <em>Cahiers du Cinéma</em>, and his work with Jacques Rivette, Jean-Luc Godard, Jean-Pierre Melville, et al. So evocative, one can almost relive history in the making through his words]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2008/46/charles-bitsch-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Nina Menkes</title>
		<link>http://sensesofcinema.com/2008/46/nina-menkes-interview/</link>
		<comments>http://sensesofcinema.com/2008/46/nina-menkes-interview/#comments</comments>
		<pubDate>Sun, 16 Mar 2008 06:44:24 +0000</pubDate>
		<dc:creator>David E. James</dc:creator>
				<category><![CDATA[Issue 46]]></category>
		<category><![CDATA[Spotlight on Nina Menkes]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Nina Menkes]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2791</guid>
		<description><![CDATA[Further illuminating insights come from the voice of the filmmaker herself, who was recently the subject of a retrospective at the 2007 ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2008/46/nina-menkes-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>For the Love of Experimental Cinema: Interview with Christian Lebrat</title>
		<link>http://sensesofcinema.com/2007/feature-articles/christian-lebrat/</link>
		<comments>http://sensesofcinema.com/2007/feature-articles/christian-lebrat/#comments</comments>
		<pubDate>Mon, 27 Aug 2007 07:38:53 +0000</pubDate>
		<dc:creator>Viviane Vagh</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 44]]></category>
		<category><![CDATA[Christian Lebrat]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2833</guid>
		<description><![CDATA[A key contributor to France’s experimental film culture, Christian Lebrat, filmmaker and director of the publishing imprint Paris Expérimental, talks about his films and related interests]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2007/feature-articles/christian-lebrat/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>For the Life of Experimental Cinema: A Conversation with Raphaël Bassan</title>
		<link>http://sensesofcinema.com/2007/feature-articles/raphael-bassan/</link>
		<comments>http://sensesofcinema.com/2007/feature-articles/raphael-bassan/#comments</comments>
		<pubDate>Mon, 27 Aug 2007 06:51:58 +0000</pubDate>
		<dc:creator>Viviane Vagh</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 44]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2823</guid>
		<description><![CDATA[Filmmaker Viviane Vagh talks to one of the seminal figures of the French experimental film scene. Filmmaker, critic and cinema historian, Raphaël Bassan speaks about his career, his films and his life long passion for film]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>There’s other Stuff than Art? An Interview with Michael Betancourt</title>
		<link>http://sensesofcinema.com/2007/feature-articles/michael-betancourt/</link>
		<comments>http://sensesofcinema.com/2007/feature-articles/michael-betancourt/#comments</comments>
		<pubDate>Mon, 27 Aug 2007 06:48:43 +0000</pubDate>
		<dc:creator>Rey Parla</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 44]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2822</guid>
		<description><![CDATA[A stimulating discussion with Miami-based filmmaker and theoretician Michael Betancourt about his unique audio-visual experiments]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Me, I Just Film My Life”: An Interview with Jonas Mekas</title>
		<link>http://sensesofcinema.com/2007/feature-articles/jonas-mekas-interview/</link>
		<comments>http://sensesofcinema.com/2007/feature-articles/jonas-mekas-interview/#comments</comments>
		<pubDate>Mon, 27 Aug 2007 06:42:44 +0000</pubDate>
		<dc:creator>Brian L. Frye</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 44]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Jonas Mekas]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2821</guid>
		<description><![CDATA[The most influential figure in the history of the ‘New American Cinema’ discusses his past, present and ongoing projects. The interview concludes with Mekas’ strikingly precise and detailed evocation of the historical controversy surrounding Jack Smith’s <em>Flaming Creatures</em]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2007/feature-articles/jonas-mekas-interview/feed/</wfw:commentRss>
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