Jean-Luc Godard
Notre musique: Godard’s Shot/Reverse Shot Ruminations on the Israeli-Palestinian Conflict
An admitted anti-Zionist with a history of ardent support for Palestinian opposition to Israel, Jean-Luc Godard frequently uses his films as a forum in which
Prénom Carmen
Jean-Luc Godard’s Prénom Carmen (First Name: Carmen, 1983) is the third film, after Sauve qui peut (la vie) (Every Man for Himself/Slow Motion, 1980) and
Two or Three Things I Know About Her
Deux ou trois choses que je sais d’elle (Two or Three Things I Know About Her, 1967) is a very special entry in the remarkable
Godard’s Comic Strip Mise-en-Scène
Taking the three films Made in USA, La Chinoise and Tout va bien as a focus, Drew Morton looks at how Jean-Luc Godard (and Jean-Pierre
Vivre sa vie: An Introduction and A to Z
Roland-François Lack provides an informative lexicon to this early masterpiece by Godard
“Mange ta soupe”: Introduction to the Bourseillers on Jean-Luc Godard
Published here for the first time in English, translator Sally Shafto provides a brief context for the two pieces that follow by Antoine and Christophe
“1963-1968. Paris: The Godard Years”
A chapter from Bourseiller’s memoir Sans relâche: Histoires d’une vie which offers a rich and moving account of his friendship with Godard
Excerpts from L’Aventure moderne
Some salient passages from Christophe Bourseiller’s memoirs on growing up in the 1960s. Christophe is one-time child actor for Godard, Maoist and Situationist
Histoire(s) du cinéma
Histoire(s) du cinéma (1988-1998 France/Switzerland 265 Mins) Program 1a: “Toutes les historie(s)” (“All the [Hi]stories”) 51 mins; Program 1b: “Une histoire seule” (“A Lone [Hi]story”)
The American Friend: Tom Luddy on Jean-Luc Godard
Tom Luddy was the principal conduit for almost all of Godard’s forays into the North American film scene. From Godard’s ‘Dziga Vertov’ tours to his
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