John Ford
John Ford Made … Monsters? The Grotesque Tradition in Ford’s Work
“The grotesque æsthetic is a window into many of the unresolved contradictions in Ford’s work especially, the uneasy juxtaposition of the tragic and the comic
John Ford’s Funeral Oration: The Man Who Shot Liberty Valance
The Man Who Shot Liberty Valance (1962 USA 123 mins) Prod Co: John Ford Productions/Paramount Prod: Willis Goldbeck, John Ford [uncredited] Dir: John Ford Scr:
A Legend that Dare Not Imprint its Name: The Man Who Shot Liberty Valance
The Man Who Shot Liberty Valance (1962 USA 123 mins) Prod Co: John Ford Productions/Paramount Prod: Willis Goldbeck, John Ford [uncredited] Dir: John Ford Scr:
American Triptych: Vidor, Hawks and Ford
Three legendary classical directors are put under the spotlight, and the results of Gallagher’s analysis are always illuminating and surprising
Passage: John Ford’s Young Mr. Lincoln
Noted Ford scholar Tag Gallagher casts his gaze over this well worn 1939 classic and discovers further treasures in Ford’s poetic vision