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Tagged Lee Chang-dong

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Green Fish

John Fidler
June 2012
Cinémathèque Annotations on Film
Issue 63
Lee Chang-dong’s wrenching, tonally nuanced first film, Chorok mulkogi (Green Fish, 1997), packs a quiet wallop. By turns emotionally coercive,...
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Peppermint Candy

Rahul Hamid
June 2012
Cinémathèque Annotations on Film
Issue 63
Lee Chang-dong is the cinema’s great poet of disappointment. His films are preoccupied by the ways in which the mores of contemporary South Korean...
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Between Innocence and Experience: Lee Chang Dong’s Secret Sunshine

Adrian Danks
June 2012
Cinémathèque Annotations on Film
Issue 63
Miryang (Secret Sunshine, 2007) begins with the sky. Shine-ae (Jeon Do-yeon)’s car has broken-down outside of Miryang (which literally translates,...
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Oasis

Marc Raymond
June 2012
Cinémathèque Annotations on Film
Issue 63
The story of Lee Chang-dong’s artistic career is a fascinating one. He started as a novelist before moving to the medium of film in his late...

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