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  • Features
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    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Jennifer Kirby
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Joy Castro
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      James Slaymaker
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Alex Munt
      October 2019
      Issue 92
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      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Peter Verstraten
      March 2018
      Feature Articles
      Issue 86
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    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Cerise Howard
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Leonardo Goi
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      David Morgan-Brown
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Alexandra Heller-Nicholas
      October 2019
      Issue 92
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    • Back to the Wolf Pack: the 22nd Tallinn Black Nights Film Festival

      Leonardo Goi
      March 2019
      Festival Reports
      Issue 90
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    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Dudley Andrew
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Bruce Hodsdon
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Jeremi Szaniawski
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Daniel Fairfax
      July 2019
      Issue 91
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    • Designs for Life: David Lynch by Justus Nieland

      Richard Martin
      September 2012
      Book Reviews
      Issue 64
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    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Joanna Di Mattia
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Danica van de Velde
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Darragh O’Donoghue
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Adrian Danks
      October 2019
      Issue 92
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    • Framing the Heavy Weight of History: Yellow Earth

      Dan Edwards
      May 2015
      Cinémathèque Annotations on Film
      Issue 74
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    • Fei Mu

      Jasper Mäkinen
      October 2019
      Issue 92
    • Huston, John

      Bruce Jackson
      July 2019
      Issue 91
    • Stone, Oliver

      Jeremy Carr
      July 2019
      Issue 91
    • Klapisch, Cédric

      Ben McCann
      March 2019
      Issue 90
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    • Coppola, Sofia

      Anna Rogers
      November 2007
      Great Directors
      Issue 45
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Tagged Oliver Reed

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Fan Filmmaker and Star-struck Celebrity: An Interview with Michael Winner

Christopher Hogg and Douglas S. Kern
July 2013
Feature Articles
Issue 67
Orson Welles, Sophia Loren, Marlon Brando, Lauren Bacall, Michael Caine, John Gielgud and Ben Kingsley: whilst this list offers a roll-call for some...

Read the Senses of Cinema World Poll 2018

INTRODUCTION

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