Roman Polanski
The Psychology of Seeing and the Cinema of Roman Polanski by Davide Caputo
The films of Roman Polanski make a provocative and challenging body of work, but one which is also difficult to separate from the almost melodramatic
Polanski in Motion: Roman Polanski: The Cinema of a Cultural Traveller by Ewa Mazierska
The familiarity of Polanski’s name both as a filmmaker and as a cultural figure extends well beyond the field of film studies. This could lead
Dance of the Vampires/The Fearless Vampire Killers
Dance of the Vampires/The Fearless Vampire Killers or: Pardon Me, but Your Teeth are in My Neck (1967 UK 107 mins) Prod Co: M-G-M/Cadre/Filmways Prod:
Painterly Moments in Roman Polanski’s Tess
Tess (1979 France/UK 177 mins) Prod Co: Renn/Burrill Prod: Claude Berri Dir: Roman Polanski Scr: Roman Polanski, Gerard Brach, John Brownjohn based on the novel
Rosemary’s Baby
Rosemary’s Baby (1968 USA 136 mins) Prod Co: Paramount Prod: William Castle Dir: Roman Polanski Scr: Roman Polanski, based on the novel by Ira Levin
Macbeth
Macbeth (1971 UK/USA 140 mins) Prod Co: Playboy Productions/Columbia Pictures Prod: Andrew Braunsberg Dir: Roman Polanski Scr: Roman Polanski, Kenneth Tynan, from the play by
Andrzej and Krystyna go Boating: Roman Polanski’s Knife in the Water
Nóz w wodzie/Knife in the Water (1962 Poland 94 mins) Prod Co: Zespol Filmowy “Kamera” Prod: Stanislaw Zylewicz Dir: Roman Polanski Scr: Jerzy Skolimowski, Jakub
Cul-de-Sac
Cul-de-Sac (1966 Britain 107 mins) Source: Sharmill Films Prod Co: Compton Films/Tekli Film Productions Prod: Gene Gutowski Dir: Roman Polanski Scr: Roman Polanski, Gerard Brach