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“Women’s Stories Aren’t Told in Laos”: An Interview with Mattie Do
Rachel Brown
December 2017
Feature Articles
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Sadie and Her Sisters: Tracking a Classic Hollywood Character Type
Rob Nixon
November 2024
Go Your Own Way: Billy Wilder and the Fine Art of Independent Cinema
Donald Brackett
November 2024
From Witness to Performer: The Evolving Interview Methods in Wang Bing’s Documentaries
Huirong Ye
November 2024
Digging out a Classic: Albie Thoms’
Sunshine City
Dirk de Bruyn
November 2024
How Will You Live? Miyazaki’s Critique of Japanese Imperialism and Dialectic with Takahata in
The Boy and the Heron
Daniel T. Roberts
November 2024
Elizabeth Price’s “Dexterous Facility”: An Anarchival Impulse?
Catherine Fowler
August 2024
Interviews
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“A ghost mob”: Interview with Sandra Wollner
Rachel Brown
October 2020
Interviews
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Beyond Cleverness – A Cheater’s Guide for Embracing Innocence: An Interview with Alejo Moguillansky (Part 2)
Hamed Sarrafi
November 2024
An Interview with Pia Marais
Gary M. Kramer
November 2024
Illusionary Mirror: An Interview with Kumar Shahani
Arindam Sen
November 2024
An Interview with Francesco Costabile
Gary M. Kramer
November 2024
An Interview with Haobam Paban Kumar
Aditya Shrikrishna
August 2024
Interview with Celina Murga
Gary M. Kramer
August 2024
Great Directors
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Menzel, Jiří
Rachel Brown
October 2020
Great Directors
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Zetterling, Mai
Eli Vannata
November 2024
Guzmán, Patricio
Matt Losada
August 2024
Box, Muriel
Melanie Williams
August 2024
Aleksandrov, Grigori Vasilyevich
Tony Williams
August 2024
Greenaway, Peter
Sherry Johnson
May 2024
Bonello, Bertrand
Ryan Akler-Bishop
January 2024
Great Actors
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Taylor, Elizabeth
Rachel Brown
November 2023
Great Actors
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Delon, Alain
Mark Lager
November 2024
Nicholson, Jack
Jaimey Fisher
August 2024
Stanwyck, Barbara
Eloise Ross
August 2023
Bogart, Humphrey
Wheeler Winston Dixon
May 2023
Divine
Jacob Agius
October 2022
Lansbury, Angela
Joy McEntee
May 2022
Festival Reports
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Gender Trouble: The 25th Sundance Film Festival
Rachel Brown
May 2006
Festival Reports
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Portions of an Immense Lava: Notes on a Film Seminar Designed as an Open Map
Anuj Malhotra
November 2024
Venezia 81
Patricia Di Risio
November 2024
Immersion: Diving full-bodied into the 72nd Melbourne International Film Festival
Paul Jeffery
November 2024
Untold Stories: The 49th Toronto International Film Festival
Kohei Usuda
November 2024
Locarno in a Holding Pattern While Redressing the Riven Social Fabric
Jaimey Fisher
November 2024
29th Busan International Film Festival: Ocean of Cinema
Maja Korbecka
November 2024
Book Reviews
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The Eloquence of the Vulgar: Language, Cinema and the Politics of Culture
by Colin MacCabe
Rachel Brown
July 2001
Book Reviews
Recent
Her, To a Great Extent, Shared: On Marguerite Duras’s
My Cinema
Hannah Bonner
November 2024
Annals of Light in Hannah Goodwin’s
Stardust: Cinematic Archives at the End of the World
M. Sellers Johnson
November 2024
Reverse Shot: Twenty Years of Film Criticism in Four Movements
: The Way of the Dinosaur
Tony McKibbin
November 2024
Nicole Brenez’s
On the Figure in General and the Body in Particular
: An Introduction to Figurative Analysis in Cinema
Emmanuel Bonin
November 2024
Between Cineanthropology and Distraction: Revisiting Béla Balázs’
Visible Man
at 100
Paul Dobryden & Ervin Malakaj
November 2024
They Do Indeed Exist:
Knights of Cinema: The Story of the Palestine Film Unit
, by Khadijeh Habashneh
Henri de Corinth
August 2024
CTEQ
Random
Bitter Victory
Rachel Brown
February 2007
CTEQ Annotations on Film
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Blue
Benjamin Bannan
November 2024
Jubilee
Darragh O’Donoghue
November 2024
Listen to England: Derek Jarman’s
The Queen is Dead
Adrian Danks
November 2024
The Garden
Brian Hoyle & Jo George
November 2024
In the Shadow of the Sun
Luke Aspell
November 2024
Imagining October
Luke Aspell
November 2024
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Ayre’s Rock
Rachel Brown
March 2015
