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What Would Siegfried Kracauer Say About Tom Ford’s Nocturnal Animals?
Rachel Brown
March 2018
Feature Articles
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Sadie and Her Sisters: Tracking a Classic Hollywood Character Type
Rob Nixon
November 2024
Go Your Own Way: Billy Wilder and the Fine Art of Independent Cinema
Donald Brackett
November 2024
From Witness to Performer: The Evolving Interview Methods in Wang Bing’s Documentaries
Huirong Ye
November 2024
Digging out a Classic: Albie Thoms’
Sunshine City
Dirk de Bruyn
November 2024
How Will You Live? Miyazaki’s Critique of Japanese Imperialism and Dialectic with Takahata in
The Boy and the Heron
Daniel T. Roberts
November 2024
Elizabeth Price’s “Dexterous Facility”: An Anarchival Impulse?
Catherine Fowler
August 2024
Interviews
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Crime and Choreography: An Interview with Rodrigo Moreno
Rachel Brown
January 2024
Interviews
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Beyond Cleverness – A Cheater’s Guide for Embracing Innocence: An Interview with Alejo Moguillansky (Part 2)
Hamed Sarrafi
November 2024
An Interview with Pia Marais
Gary M. Kramer
November 2024
Illusionary Mirror: An Interview with Kumar Shahani
Arindam Sen
November 2024
An Interview with Francesco Costabile
Gary M. Kramer
November 2024
An Interview with Haobam Paban Kumar
Aditya Shrikrishna
August 2024
Interview with Celina Murga
Gary M. Kramer
August 2024
Great Directors
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Ulmer, Edgar G.
Rachel Brown
January 2003
Great Directors
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Zetterling, Mai
Eli Vannata
November 2024
Guzmán, Patricio
Matt Losada
August 2024
Box, Muriel
Melanie Williams
August 2024
Aleksandrov, Grigori Vasilyevich
Tony Williams
August 2024
Greenaway, Peter
Sherry Johnson
May 2024
Dalianidis, Yannis
Frankie Kanatas
January 2024
Great Actors
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Magee, Patrick
Rachel Brown
May 2022
Great Actors
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Delon, Alain
Mark Lager
November 2024
Nicholson, Jack
Jaimey Fisher
August 2024
Taylor, Elizabeth
Gabrielle Stecher
November 2023
Stanwyck, Barbara
Eloise Ross
August 2023
Bogart, Humphrey
Wheeler Winston Dixon
May 2023
Divine
Jacob Agius
October 2022
Festival Reports
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The 48th Sydney Film Festival - A Preview
Rachel Brown
June 2001
Festival Reports
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Portions of an Immense Lava: Notes on a Film Seminar Designed as an Open Map
Anuj Malhotra
November 2024
Venezia 81
Patricia Di Risio
November 2024
Immersion: Diving full-bodied into the 72nd Melbourne International Film Festival
Paul Jeffery
November 2024
Untold Stories: The 49th Toronto International Film Festival
Kohei Usuda
November 2024
Locarno in a Holding Pattern While Redressing the Riven Social Fabric
Jaimey Fisher
November 2024
29th Busan International Film Festival: Ocean of Cinema
Maja Korbecka
November 2024
Book Reviews
Random
The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema
by Paul Henley
Rachel Brown
September 2013
Book Reviews
Recent
Her, To a Great Extent, Shared: On Marguerite Duras’s
My Cinema
Hannah Bonner
November 2024
Annals of Light in Hannah Goodwin’s
Stardust: Cinematic Archives at the End of the World
M. Sellers Johnson
November 2024
Reverse Shot: Twenty Years of Film Criticism in Four Movements
: The Way of the Dinosaur
Tony McKibbin
November 2024
Nicole Brenez’s
On the Figure in General and the Body in Particular
: An Introduction to Figurative Analysis in Cinema
Emmanuel Bonin
November 2024
Between Cineanthropology and Distraction: Revisiting Béla Balázs’
Visible Man
at 100
Paul Dobryden & Ervin Malakaj
November 2024
They Do Indeed Exist:
Knights of Cinema: The Story of the Palestine Film Unit
, by Khadijeh Habashneh
Henri de Corinth
August 2024
CTEQ
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Police
Rachel Brown
July 2006
CTEQ Annotations on Film
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Blue
Benjamin Bannan
November 2024
Jubilee
Darragh O’Donoghue
November 2024
Listen to England: Derek Jarman’s
The Queen is Dead
Adrian Danks
November 2024
The Garden
Brian Hoyle & Jo George
November 2024
In the Shadow of the Sun
Luke Aspell
November 2024
Imagining October
Luke Aspell
November 2024
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Jamaa Fanaka
Rachel Brown
September 2016