Features the editors September 2012 Feature Articles Issue 64 | September 2012 Chris Marker Special Dossier: My Letter from Siberia by Murray Pomerance Séance “C.M.” by Gavin Keeney Montage as Resonance: Chris Marker and the Dialectical Image by Daniel Fairfax Chris Marker: Film as Geopolitical Enlightenment by Nick Shimmin Statues Also Die, or Schroedinger’s Black Cat by Daniel Vilensky The Cats in the Hats Come Back; or “at least they’ll see the cats”: Pussycat Poetics and the Work of Chris Marker by Adrian Danks Other Features: Kubrick Creator: Alchemy in Stanley Kubrick’s Films by Rutger H. Cornets de Groot “Yes, we were utopians; in a way, I still am…”: interview with Jean-Louis Comolli (Part 2) by Daniel Fairfax Claude Sautet: Purity and Invention by A. Jay Adler Chance and Choice, Biology and Theology in Alexander Payne’s Election by Lesley Brill The Corpse is in Australia, or The Cinematic Death of White Supremacy by Thomas A. Foster Invested in Expression or in Its Destruction?: The Politics of Space and Representation in Chantal Akerman’s Cinema by Zain Jamshaid