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  • Features
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    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Joanna Di Mattia
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Jytte Holmqvist
      March 2018
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    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

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      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

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    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

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      March 2018
      Issue 86
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      AFM/AFI FEST 2017: Magic Women, Haptic Men

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    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

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    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Dean Brandum
      March 2018
      Issue 86
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      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Felicity Chaplin
      March 2018
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    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Tony McKibbin
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

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    • Bergman, Skolimowski and European Modernism: Ingmar Bergman’s The Silence: Pictures in the Typewriter, Writers on the Screen by Maaret Koskinen Jerzy Skolimowski: The Cinema of a Nonconformist by Ewa Mazierska

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    • Diary of a Chambermaid

      Diary of a Chambermaid

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      Les Amants

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      La Baie des Anges

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Festival Reports

Home
Festival Reports
thumb image

Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

Tara Judah
March 2018
Festival Reports
Issue 86
When I scroll through Instagram, I am fascinated by the ability of the interface. I am at a film festival, having what I presume to be a good time,...
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AFM/AFI FEST 2017: Magic Women, Haptic Men

Bérénice Reynaud
March 2018
Festival Reports
Issue 86
– Are you going to sleep with the Chinese? – Yes, I think so. – When? – Maybe later on today. Barbara Two events made the trip worthy to...
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Ânûû-rû Âboro: The Festival of Peoples’ Cinema

Charles Fairbanks
March 2018
Festival Reports
Issue 86
New Caledonia may be far from the glitz and glamour of Cannes, Sundance, Venice and the rest, but that is exactly what makes the festival Ânûû-rû...
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A Tale of Two Festivals: International Film Festival of India and Experimenta

Parichay Patra
March 2018
Festival Reports
Issue 86
International Film Festival of India, popularly known by its acronym IFFI, rests, like many other events in South Asia, on its past glory and...
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Clouds over Berlin: A Few Remarks about German Cinema at the 68th Berlin International Film Festival

Marco Abel
March 2018
Festival Reports
Issue 86
The 68th Berlin International Film Festival took place underneath two significant clouds that did not have anything to do with the films as such....
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New Eastern Promises: The 21st Tallinn Black Nights Film Festival

Leonardo Goi
February 2018
Festival Reports
Issue 86
“It’s called Black Nights for a reason,” previous attendees of the Tallinn Black Nights Film Festival had warned me on my way to Estonia. Named...
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Korean Cinema in Winter: The 22nd Busan International Film Festival

Marc Raymond
December 2017
Festival Reports
Issue 85
Because of an extended national vacation of ten days in early October due to the unusual convergence of various holidays (most notably Chuseok, the...
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In a Year of European Documentary Film Festivals

Carmen Gray
December 2017
Festival Reports
Issue 85
Hearing critics talk about European documentary festivals you could often be fooled for thinking they start and end with Amsterdam’s IDFA and its...
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New York Film Festival 2017: Robert Mitchum Retrospective + Main Slate

Jackson Arn
December 2017
Festival Reports
Issue 85
To watch the films of Robert Mitchum – the Golden Age Hollywood star whose 54-year career was the subject of a major retrospective at the New York...
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A City of Cinema Perseveres: The 15th Yamagata International Documentary Film Festival

Joel Neville Anderson
December 2017
Festival Reports
Issue 85
Shortly after the conclusion of the 15th edition of the biennial Yamagata International Documentary Film Festival, the UNESCO Creative Cities Network...
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Wavelengths at the 2017 Toronto International Film Festival

Darren Hughes
December 2017
Festival Reports
Issue 85
My conversations during the first two days of the 2017 Toronto International Film Festival were dominated by two subjects: Twin Peaks: The Return,...
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Reimagining Reality: 61st BFI London Film Festival

Tara Judah
December 2017
Festival Reports
Issue 85
I was born in London, but I grew up in Australia. To my eyes, the people of London move with direction and urgency, as if the city somehow has the...
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