Love and Suffocation in Man Is Not a Bird (Dušan Makavejev, 1965) Nicholas Bugeja October 2018 CTEQ Annotations on Film Makavejev aims to tear down and rebuild the basic blocks of moviemaking itself. Toggling easily, even imperceptibly, between fiction and documentary, his films can appear to be vérité portraits of everyday life...
WR: Mysteries of the Organism (Dušan Makavejev, 1971) Darragh O’Donoghue October 2018 CTEQ Annotations on Film Cold War-era WR: misterije organizma (WR: Mysteries of the Organism, Dušan Makavejev, 1971) sets West against East with two opening sequences. In the first, Tuli Kupferberg shambles into a New York street and p...
Love Affair or The Case of the Missing Switchboard Operator (Dušan Makavejev, 1967) Eloise Ross March 2017 CTEQ Annotations on Film “I didn’t sign on to be your slave.” It’s the cry of every woman who has ever been born, and every country who has ever been created, annexed, oppressed. Hungarian woman Izabela Garodi (Eva Ras) speaks these wo...
Gleaming Faces, Dark Realities: Dušan Makavejev’s Man Is Not a Bird and the Representation of the Working Class after Socialist Realism Constantin Parvulescu February 2009 Feature Articles Penetrating analysis of Dušan Makavejev’s 1965 first feature film in the light of its critique of the social realist æsthetic and Communist ideology of the era.
The World Tasted: Dušan Makavejev’s Sweet Movie Lorraine Mortimer May 2008 Feature Articles The author of the forthcoming first English-language book devoted to the director, Terror and Joy: The Films of Dušan Makavejev, dissects this most sensuously complex film.
The Country of Movies: An Interview with Dusan Makavejev Ray Privett December 2000 Eastern European Cinema Always a step ahead with his ingenious and subversive dismantling of political icons, Privett gets closer to the great Makavejev.
Homelands, We Have a Problem Sanjin Pejković October 2022 After Yugoslavia The fall of Yugoslavia was a historical event of huge importance for the Balkans, but also for the rest of Europe and the world. Different accounts and explanations of how and why the former Yugoslavia collapse...
36th Cinema Ritrovato Gets Covid in the Tail Roger Macy July 2022 Festival Reports Cinema Ritrovato had never gone away in 2020 and 2021 but now there was no online alternative and most festival-goers were back at the usual venues to a visibly packed week. Although there was a ‘last minute’ q...
World Poll 2020 – Part 3 the editors January 2021 World Poll ENTRIES IN PART 3: William Edwards Gerónimo Elortegui Ted Fendt Christine Folch-Sathiah Gwendolyn Audrey Foster Simon Foster Sachin Gandhi Flora Georgiou Sean Gilman Antony Ginnane Leonardo Goi Fr...
World Poll 2018 – Part 4 the editors January 2019 World Poll ENTRIES IN PART 4: Lauren Carroll Harris Andy Hazel Glenn Heath Jr. Michael Heath Claire Henry Jhon Hernandez Marissa Hernandez Alain Hertay David Heslin Lee Hill Lili Hinstin Jytte Holmqvist Pet...
World Poll 2018 – Part 2 the editors January 2019 World Poll ENTRIES IN PART 2: Thomas Caldwell Michael Campi Nicolas Carrasco Michael J. Casey Celluloid Liberation Front Jeremy Chamberlin Daryl Chin Graiwoot Chulphongsathorn Roberta Ciabarra Adam Cook Jesús...
Showcasing a Myriad of Landscapes and Cityscapes: The Odessa International Film Festival Giuliano Vivaldi October 2018 Festival Reports Odessa boasts an impressive although often overlooked film history and the idea of staging Ukraine’s major international festival in this city is certainly a fortuitous one. Indeed, the festival organisers were...
Welcome to Issue 88 of our journal the editors October 2018 Editorial In the popular imagination, modern French cinema began around 1959 and hit its peak in the 1960s, with the revolutionary filmic works of Cahiers du cinéma's critics-turned-directors and their Left Bank contempo...
Reflections Upon Transitions: The 18th Las Palmas International Film Festival Andreea Patru June 2018 Festival Reports The Canary Islander has the mind in Europe, the feet on Africa and the heart in America. – anonymous popular saying Spread upon five centuries of history Las Palmas is a cosmopolitan and integrated city. Conq...
1967: Love Letters the editors March 2017 Love Letters: 1967 Editorial It has been 50 years since 1967 and it struck us at Senses of Cinema that not only was this a notable anniversary, but that it also made for an interesting throughline to our cultural experience in t...
Welcome to issue 82 of our journal the editors March 2017 Editorial Welcome to Issue 82 of Senses of Cinema. To begin 2017, we decided to celebrate films that turn 50 this year in a bumper dossier we've simply titled 1967: Love Letters. As the title indicates, this is not an at...
In Memoriam: Miklós Jancsó (1921-2014) Christopher Mildren March 2014 Obituary The great Hungarian director Miklós Jancsó has died at the age of 92, leaving behind one of the more indisputably unique bodies of work in cinema history. Over the course of fifty years, Jancsó’s body of work r...
Why Albie Thoms? – A Singular Commitment and a Figure Displaced Barrett Hodsdon March 2013 Albie Thoms Dossier The Memorial Event – Thoms’ Resurrection On 17 December 2012, a large group of people came together in Paddington Town Hall to celebrate Albie Thoms’ life, and to launch his book, a memoir called My Generati...
The More Things Change, the More They Stay the Same: The 2012 Alternative Film/Video Festival Dirk de Bruyn March 2013 Festival Reports Have no respect, it’s only film. – Vassily Bourikas The Alternative Film/Video Festival in Belgrade has historically been one of a triumvirate of critical festivals, with Pula’sMAFAF (1965-1990) and Zagreb’s ...
2012 World Poll – Part One the editors January 2013 2012 World Poll THE ENTRIES PART ONE Antti Alanen Michael J. Anderson Geoff Andrew Sean Axmaker Martyn Bamber Michael Bartlett Paolo Bertolin Pamela Biénzobas Cis Bierinckx Yvette Biro James Brown...
For Wrocław and the World: The 12th New Horizons Film Festival Alison Frank August 2012 Festival Reports Some festivals take place below the radar of a city: local residents are barely aware that there is a film festival on, and only films by the most well-known directors attract full houses. In the picturesque ci...
The Artist and the MacMahon Factor Zafar Masud April 2012 Feature Articles Looking into France’s international success with The Artist, Zafar Masud discovers the little-known history of a Parisian theatre and the cinéphiles that made its reputation.
Something Against Nature: Sweet Movie, 4, and Disgust Lorraine Mortimer June 2011 Feature Articles The author brings together two seminal films from differing eras that challenge audiences in complex and confronting ways.
After Hours Jonathan Dawson April 2010 CTEQ Annotations on Film Paul Hackett (Griffin Dunne): “What do you want from me? I’m just a word processor!” Street Pickup (Robert Plunket): “Why don’t you just go home?” Paul Hackett: “Pal, I’ve been asking myself that all night....
Sweet Movie: The Gentle Side of “Destructive Art” Dušan Makavejev May 2008 Feature Articles The esteemed director of this landmark movie looks back at his most controversial film.
Welcome to issue 47 of our journal! the editors May 2008 Editorial As this issue goes on-line in this month of May, it would be remiss not to mention the 40th Anniversary of another seminal month of May long gone. We refer, of course, to the so-called ‘events’ of May 1968 ...
2007 World Poll – Part 2 Various February 2008 2007 World Poll John Gianvito Antony I. Ginnane Stephen Goddard Chiranjit Goswami Kharálampos Goyós Benjamin Halligan Lee Hill Peter Hourigan Brian Hu Christoph Huber Pasquale Iannone Raine...
Mapping Catalonia in 1967: The Barcelona School in Global Context Rosalind Galt November 2006 Feature Articles A comprehensive overview of the regional and global imperatives that shaped the historically fascinating 1960s avant-garde movement known as the Barcelona School.
European Cinema: Face to Face with Hollywood by Thomas Elsaesser Richard Misek July 2006 Book Reviews Over recent years, Thomas Elsaesser has published so prolifically that one might be forgiven for occasionally wondering if “Thomas Elsaesser” is the name not of an individual but of an academic collective. This...
Surrealist Documentary: Reviewing the Real Bruce Hodsdon October 2005 Feature Articles Famously, L'Âge d'or opens with a documentary on scorpions. The film was first screened publicly in Paris in November 1930. In honour of its 75th anniversary year, this article provides a critical overview of Surrealist uses and abuses of the documentary form.
Dancing about Architecture: Sundance Film Festival 2004 Bérénice Reynaud April 2004 Festival Reports There is a seductive cliche that runs through “cultural circles”: writing about dance makes about as much sense as dancing about architecture. What is implied here is not only a suspicion at the “folly” of ...
Confessions of a Film Hater Dan Harper October 2003 Book Reviews David Thomson's film criticism continues to incite passion and debate. Harper takes a chilly view of the latest edition of his New Biographical Dictionary of Film...
Skolimowski, Jerzy Bruce Hodsdon July 2003 Great Directors b. May 5, 1938, Lódz, Poland filmography bibliography web resources Eyes Wide Open Jerzy Skolimowski has said that he makes films to please himself. (1) Between 1964 and 1984 he completed six semi-au...
Sounding the Depths: Jean Painlevé’s Sunken Cinema Jim Knox March 2003 Feature Articles A lively overview of the films of Jean Painlevé and his unique contribution to cinema and its possibilities.
Favourite Film Things 2002 – Part 2 Various January 2003 Favourite Film Things 2002 compiled by Fiona A. Villella The Entries James Hewison Lee Hill Bruce Hodsdon Alexander Horwath Peter Hourigan Christoph Huber Darren Hughes Dina Iordanova Robert Keser Rai...