All the World’s a Stage: John Cassavetes’ Opening Night Matthew Clayfield May 2007 CTEQ Annotations on Film Opening Night (1977 USA 144 mins) Prod Co: Faces Prod, Phot: Al Ruban Dir, Scr: John Cassavetes Ed: Tom Cornwell Art Dir: Brian Ryman Mus: Bo Harwood Cast: Gena Rowlands, Ben Gazzara, John Cassavetes,...
Maurice Pialat and John Cassavetes Philippe Lubac April 2005 Feature Articles A scholarly and long overdue analysis of the affinities and differences between these two filmmakers of immense stature.
Places in the Heart: Where Does It Happen? John Cassavetes and Cinema at the Breaking Point by George Kouvaros Brad Stevens October 2004 Book Reviews At one point in “I'm Almost Not Crazy...” John Cassavetes: The Man and His Work (1984), Michael Ventura's documentary about the making of Love Streams, Ventura's camera lingers on a written message pinned to th...
Performing the Everyday: Time and Affect in John Cassavetes’ Faces Effie Rassos September 2001 John Cassavetes An astute analysis of the affective and unconventional nature of time in this Cassavetes film in particular.
John Cassavetes Filmography Brad Stevens September 2001 John Cassavetes John Cassavetes (1929 - 1989) Shadows (first version 1958, second version 1959) Johnny Staccato episodes: 'Murder for Credit' (1959), 'Evil' (1959), 'A Piece of Paradise' (1959), 'Night of Jeopardy' (1959...
Meet John Cassavetes Christos Tsiolkas September 2001 Book Reviews A review of Ray Carney's recent books on Cassavetes and a heartfelt homage to the director.
The Cinematic Life of Emotions: John Cassavetes: George Kouvaros Interviewed Needeya Islam April 2000 Feature Articles George Kouvaros speaks on the films of Cassavetes, and the new lines in film criticism and thinking they provoke.
Cassavetes, John Jeremy Carr July 2016 Great Directors John Nicholas Cassavetes, December 9, 1929, New York City, New York, USA February 3, 1989, Los Angeles, California, USA To talk about John Cassavetes the great director, one must first recognise Cassavetes th...
John Korty: Small Cinema, Great Rewards Ara Corbett December 2011 Feature Articles Though he shared a San Francisco studio loft in the 1960s with friends Francis Ford Coppola and George Lucas, John Korty eschewed the studio system and devoted himself to making low budget films the equal of any thing that emerged from the American independent cinema of the time.
Frankenheimer, John Stephen Bowie November 2006 Great Directors b. 19 February 1930, New York, USA d. 6 July 2002, Los Angeles, USA Filmography Select Bibliography Articles in Senses Web Resources Along with Sidney Lumet, John Frankenheimer was the major direc...
Johnny Staccato: “Swinging Long Hair” Noah Tsika February 2006 CTEQ Annotations on Film Johnny Staccato: “Swinging Long Hair” (1960 USA 24 mins) Source: NFVLS Prod Co: Revue Studios (for NBC) Dir: Jeffrey Hayden Scr: Sam Gillman Mus: Elmer Bernstein Cast: John Cassavetes, Eduardo Ciannel...
Johnny Staccato: “The Shop of the Four Winds” Charles Leary April 2004 CTEQ Annotations on Film Johnny Staccato: “The Shop of the Four Winds” (1959 USA 26 mins) Prod Co: Revue Studios Prod: Everett Chambers Dir: Boris Segal Scr: Sidney Michaels Phot: John F. Warren Ed: Edward Haire Mus: Elmer Berns...
Identity in the Films of Cassavetes Maximilian Le Cain September 2001 John Cassavetes Cain traces the rise of character-studies and the theme of identity and performance in Cassavetes' late phase.
Impromptu Entertainment: Performance Modes in Cassavetes’ Films Pamela Robertson Wojcik September 2000 Feature Articles Untangling issues of entertainment and performance in the films of Cassavetes.
“I like characters who can’t express themselves sometimes”: An Interview with Kazik Radwanski Susana Bessa May 2024 Interviews Matt and Mara (2024) was my first and last screening at this year’s Berlinale. I can’t remember the last time I saw the same film twice at a film festival. Very little could have prepared me for the beautifully...
Spiritual Connections, Analog Exuberance, and the Joys of Presence: An Interview with Nathan Silver Brigitta Wagner May 2024 Interviews The 74th Berlin International Film Festival could not have taken place on a more politicised stage. Not only did the festival reflect, as it typically does, the preoccupations of the world in the films selected...
World Poll 2023 – Part 8 the editors January 2024 World Poll ENTRIES IN PART 8: Maria San Filippo Rowena Santos Aquino Jack Sargeant Hamed Sarrafi Christine Sathiah Andrea Schmidt Dr James Slaymaker Valerie Soe Öykü Sofuoğlu Karina Solórzano Mark Spratt Vedan...
Dennis Lim’s Tale of Cinema: A Meta-Monograph Marc Raymond January 2023 Book Reviews The Australian publisher Fireflies Press has created a ten-book series of Decadent Editions, ten takes on a different film from each year of the 2000s, which has thus far included Nick Pinkerton on Tsai Ming-li...
American Maverick: How Joan Micklin Silver Made Hester Street (1975) Shari Kizirian October 2022 CTEQ Annotations on Film After writing and directing several shorts and selling a script about the wives of soldiers missing in action during the Vietnam War (what became Mark Robson’s Limbo from 1974), Joan Micklin Silver was frustrat...
Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement Selen Ozturk July 2022 Feature Articles The revolution may not have been televised, but it was certainly filmed. In 1970, youth rallied in droves and studios rolled out the little red carpet: MGM released The Strawberry Statement (Stuart Hagmann), Za...
World Poll 2021 – Part 1 the editors January 2022 World Poll ENTRIES IN PART 1: Antti Alanen Victor Alicea Francisco Algarín Navarro Salvador Amores Geoff Andrew Cinema Antiviral. Martyn Bamber Jennifer Lynde Barker Arta Barzanji Amarsanaa Battulga Mike Bartl...
World Poll 2021 – Part 3 the editors January 2022 World Poll ENTRIES IN PART 3: William Edwards Samantha Egensteiner Gerónimo Elortegui John K. Emelianoff Adalberto Fonkén Gwendolyn Audrey Foster Simon Foster Sachin GandhiFlora Georgiou Sean Gilman Antony I. Gi...
The Black And White Epic No Budget Digital Feature Film Rob Nilsson July 2021 Feature Articles When I think about contemporary American cinema there are things to be thankful for and, as with cell phone addiction and social media mania, a good deal to lament. Anyone can be a video filmmaker and almost ev...
World Poll 2020 – Part 1 the editors January 2021 World Poll ENTRIES IN PART 1: Antti Alanen Francisco Algarín Navarro Martyn Bamber Mike Bartlett Arta Barzanji Raphaël Bassan Sean Bell Malik Berkati Lukas Brasiskis Samuel Bréan Samantha Broadhead Michael Bro...
World Poll 2020 – Part 7 the editors January 2021 World Poll ENTRIES IN PART 7: Dan Sallitt Jack Sargeant Mark Seman Sarah Scales Andrea Schmidt Howard Schumann Pummy Sharma Christopher Sikich Valerie Soe Mark Spratt Madalina Stefan Brad Stevens Iván Suáre...
Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan Tony McKibbin July 2020 Book Reviews There are very good books and articles on actors, about stardom, about performance, on acting and about acting. David Thomson and Pauline Kael have often been astute concerning the thin line between the person ...
World Poll 2019 — Part 7 the editors January 2020 World Poll ENTRIES IN PART 7: Maria San Filippo Jose Sarmiento Hinojosa Christine Sathiah Adrian Schober Howard Schumann Christopher Sikich Christopher Small Rachel Small Jordan M. Smith Valerie Soe Mark Spra...
A Decade+ in Review: The 2019 Toronto International Film Festival Darren Hughes October 2019 Festival Reports On 31 December 2018, the fundraising arm of the Toronto International Film Festival sent a year-end email solicitation, urging recipients to support cinema by helping the organisation hit its annual target of 3...
Wake in Fright: An Interview with Ted Kotcheff (Issue 51, July 2009) Raffaele Caputo October 2019 Highlights from 20 years of Senses of Cinema Originally published in Senses of Cinema issue 51, July 2009. On its release in 1971, Wake in Fright (Ted Kotcheff) was unkindly received by Australian critics and public alike, the bone of contention be...
“Open the Door”: Access and Dominance in Mikey and Nicky (Elaine May, 1976) Ivana Brehas July 2019 CTEQ Annotations on Film The men of Elaine May’s Mikey and Nicky (1976) seem trapped in a tenuous, exhausting, night-long tug of war. The film follows two small-time criminals: the livewire, reckless Nicky (John Cassavetes), who believ...
Revealing the Soul of a Cinematic Passeur: Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016, by Adrian Martin Felicity Chaplin March 2019 Book Reviews Mysteries of Cinema, an anthology of the major essays by prolific and internationally-recognised Australian-born film critic Adrian Martin, takes its readers on a whirlwind journey through aesthetics, cinephili...
World Poll 2018 – Part 6 the editors January 2019 World Poll ENTRIES IN PART 6: Nick P. George Papadopoulos Andreea Pătru Yoana Pavlova Jesse Percival Antoni Peris Grao Simon Petri-Lukács Andréa Picard Fidel Jesús Quirós Christopher Llewellyn Reed Bérénice R...
World Poll 2018 – Part 2 the editors January 2019 World Poll ENTRIES IN PART 2: Thomas Caldwell Michael Campi Nicolas Carrasco Michael J. Casey Celluloid Liberation Front Jeremy Chamberlin Daryl Chin Graiwoot Chulphongsathorn Roberta Ciabarra Adam Cook Jesús...
World Poll 2018 – Part 1 the editors January 2019 World Poll ENTRIES IN PART 1: Antti Alanen Francisco Algarín Navarro Victor Alicea Rowena Santos Aquino Luke Aspell Martyn Bamber Michael Bartlett Rhett Bartlett Arta Barzanji Raphaël Bassan Conor Bateman Gu...
Formative Portals: Nostalgia for a Slow Burn Cinephilia Hamish Ford June 2018 Stardust Memories: Cinephilia and Nostalgia I fully admit to having trouble with nostalgia – in life, but especially on film. So searing is the “real” version, I find, it has to be at least partially repressed. Nostalgia’s screen portrayal, meanwhile, ne...
Shadows Darragh O’Donoghue March 2018 CTEQ Annotations on Film Shadows (John Cassavetes, 1959) is full of shadows, but the murkiest shadow cast is that of race. Famously, its precursor was an improvisation session at the theatre workshop John Cassavetes ran in the mid-1950...