Unrealisable woman: Tania in Stanley Kubrick’s Aryan Papers Joy McEntee October 2022 Feature Articles This article was peer reviewed. Introduction Stanley Kubrick oscillated between torturing his female characters and exhibiting sympathy for them. Sometimes, he both tortured women and exhibited sympathy at th...
The Shining and Us – Participants to the Dossier Reflect on Their First Encounter with Stanley Kubrick’s The Shining Marta Figlerowicz, Alexander Nemerov, Joy McEntee, Christine Lee Gengaro, Geoffrey Cocks, Ian Christopher, Mick Broderick, Jessica Balanzategui, Nathan Abrams, Valerio Sbravatti, Ilaria Franciotti, Rick Warner, Jeremi Szaniawski, Pip Chodorov, Daniel Fairfax and Filippo Ulivieri July 2020 The Shining at 40
A Mensch’s Moviemaking: Stanley Kubrick: New York Jewish Intellectual, by Nathan Abrams Jeremi Szaniawski July 2019 Book Reviews Stanley Kubrick belongs to the category of select filmmakers to have elicited a massive body of critical work as well as gained a cult following among fans and mainstream audiences. In his expert study of Jewis...
Styles of Substance: The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema, by Robert P. Kolker Tony McKibbin June 2018 Book Reviews Robert Philip Kolker has given us two very useful film books: The Altering Eye and A Cinema of Loneliness are excellent accounts of post-war European cinema (which take in other parts of the world too), and 197...
Kubrick Creator: Alchemy in Stanley Kubrick’s Films Rutger H. Cornets de Groot September 2012 Feature Articles How one should turn to stone. - Slowly slowly become hard like a precious stone - and finally lie there still and silent, to the joy of all eternity. –Nietzsche. I. Apart from a few early documentaries...
Stanley Kubrick’s 2001: An Existential Odyssey Pedro Blas Gonzalez September 2009 Feature Articles Since the time of this classic’s release, the one question that seems to have always hung over it is: “But what does it all mean?” Pedro Blas Gonzalez goes in search of answers.
“Is That You John Wayne? Is This Me?” – Problems of Identity in Stanley Kubrick’s Full Metal Jacket Brad Stevens July 2002 Feature Articles In his underrated war film, Kubrick continues to explore ideas of identity, free will and the human-machine relation.
Kubrick, Stanley Keith Uhlich May 2002 Great Directors b. July 26, 1928, Manhattan, New York, USA. d. March 7, 1999, Harpenden, Hertfordshire, England, UK. filmography bibliography articles in Senses web resources It may not be entirely correct to cal...
Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne Steven Shaviro July 2021 Book Reviews Laleen Jayamanne’s beautiful new book, Poetic Cinema and the Spirit of the Gify, enlivens the spirits of its readers every bit as much as the movies it discusses enliven both the spirits and the bodies of their...
Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski Joy McEntee May 2021 Book Reviews Interviewed in Jeremi Szaniawski’s After Kubrick: a Filmmaker’s Legacy, Gaspar Noé is asked about his relationship to Stanley Kubrick: I am a dwarf . . . a flea . . . compared to the giant. . . . You can’t com...
Missing links: exploring traces of Kubrick’s ‘unknown’ early works Mick Broderick James Fenwick and Joy McEntee October 2020 Feature Articles Previously unseen materials donated by the Stanley Kubrick estate to the London University of the Arts Special Collections Archive sheds new light on what has been a relatively ‘unknown’ period in the auteur’s ...
King vs. Kubrick: The Origins of Evil Filippo Ulivieri July 2020 The Shining at 40 It is a common trope that authors rarely like films based on their novels. Stephen King, who at the time of this writing has seen 48 feature films and 26 television series adapted from his works, is no exceptio...
Kubrick and the Paranoid Style: Antisemitism, Conspiracy Theories, and The Shining Nathan Abrams July 2020 The Shining at 40 If, as I have argued elsewhere, Stanley Kubrick is an intellectual, Jewish, and “Talmudic” filmmaker, his text most susceptible to Jewish or Talmudic readings or, at least which has attracted the most scholarsh...
Overlooking the Stairs: Precarious Balance in Kubrick’s Mise-en-Scène Mick Broderick July 2020 The Shining at 40 A number of recurring motifs, themes and ‘signature’ styles have been attributed to Stanley Kubrick over the years, mostly from an auteurist perspective. These include, for example, the use of mirrors, facial c...
Cinema and Me: Family and History Through Film References in Kubrick’s The Shining Geoffrey Cocks July 2020 The Shining at 40 Much has been written about the intertextual richness of Stanley Kubrick’s cinema both in and of itself and in terms of its influence on other filmmakers. In this regard The Shining (1980) has itself been the s...
Feeling on Edge: Kubrick’s The Shining Between Horror and Comedy Rick Warner July 2020 The Shining at 40 Since its theatrical release in 1980, Stanley Kubrick’s The Shining has fit uneasily into the horror genre and has met with a discordant range of responses. A common grievance among reviewers at the time was th...
After Kubrick (1927-1999): a Cinematic Legacy Jeremi Szaniawski March 2019 Feature Articles “We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?” Paul Thomas Anderson Stanley Kubrick (1927-1999) passed away twenty years ago – on March 7, 1999 – while in the pr...
Lolita – From Nabokov’s Novel (1955) to Kubrick’s Film (1962) to Lyne’s (1997) Constantine Santas November 2000 Novel and Film Santas looks at the many faces of Lolita.
Total Eclipse of the Heart: Thinking through Technology Niall Lucy June 2000 Feature Articles Technology and the future in Stanley Kubrick's 2001: A Space Odyssey and Don Siegel's The Shootist.
Nicholson, Jack Jaimey Fisher August 2024 Great Actors b. 22 April 1937, Neptune City, New Jersey, United States The Affective Structure of Furious Feeling: Masculinist Anger in the American New Wave and in Its Wake It goes without saying that Jack Nicholson (b. ...
Mind the Gap: New German Films at the 74th Berlin International Film Festival Marco Abel May 2024 Festival Reports To begin, then, with Hamlet: to be or not to be, this seems to be the question these days for the city of Berlin when it comes to its longstanding status as – and claim to being – Germany’s cinema capital. Do t...
From Caligari to Psychological Horror Ji Li January 2024 Film Genre Now: RMIT University Student Dossier My initial viewing of Das Cabinet des Dr. Caligari (The Cabinet of Dr. Caligari, Robert Wiene, 1920) took place in 2022. As a 21st-century moviegoer, I had been educated by technically refined psychological hor...
World Poll 2023 – Part 7 the editors January 2024 World Poll ENTRIES IN PART 7: Jayanth Naga Sai Pasupulati Peter Nagels Virat Nehru Boris Nelepo Andy Norton Veton Nurkollari Gabrielle O’Brien Darragh O’Donoghue Wilfred Okiche SvenErik Olsen Andreea Pătru Ant...
We Can’t Save The Victims: Hauntology in Tony Scott’s Déjà Vu Aryan Tauqeer Khawaja November 2023 Feature Articles “To haunt does not mean to be present, and it is necessary to introduce haunting into the very construction of a concept” - (Specters of Marx: The State of the Debt, the Work of Mourning and the New interna...
“Irritation Is the Most Important Tool Any Artist Has”: An Interview with Jessica Hausner Jaimey Fisher & Gerd Gemünden November 2023 Interviews In a review of Club Zero, Jessica Hausner’s latest feature, which premiered in Competition at Cannes this year, Charles Bramesco calls the director “Austria’s most fearless button-pusher.” Given that her compat...
A Man of Genius Has Been Seldom Ruined But By Himself: Ethan Warren’s The Cinema of Paul Thomas Anderson Hannah Bonner November 2023 Book Reviews When he was seven, Paul Thomas Anderson wrote in his diary, “I want to be a writer, producer, director, special effects man. I know how to do everything and I know everything” (p. 1). For this millennial wunder...
When in Love, Make a Film: Interview with Alexandre O. Philippe Hamed Sarrafi May 2023 Interviews Over the course of nearly two decades, Alexandre O. Philippe has celebrated and explored the iconic figures of the seventh art, from Lucas and Ford to Hitchcock and Lynch. His unique approach not only reveals n...
Values of Baz Luhrmann’s Elvis: A Carnival Ride Laleen Jayamanne January 2023 Feature Articles “It was the greatest Carnival Attraction I’d ever seen… His Super Power was Music.” - Colonel Tom Parker An Australian Film Brand With just six films over thirty years (1992-2022), Baz Luhrmann and his crea...
Fosse, Bob Sherry Johnson January 2023 Great Directors b. Robert Louis Fosse, Chicago, Illinois, June 23, 1927 d. September 23, 1987, Washington, D.C. Although Bob Fosse died at the relatively young age of 60, he had a career in show business extending for almost...
World Poll 2022 – Part 8 the editors January 2023 World Poll ENTRIES IN PART 7: Maria San Filippo Rowena Santos Aquino José Sarmiento Hinojosa Valerie Soe Öykü Sofuoğlu Mark Spratt Vedant Srinivas Tyson Stewart Iván SuárezJosh Timmermann Tomas Trussow Koen Van...
Welcome to Issue 103! the editors October 2022 Editorial This All Hallows Eve, Senses of Cinema is publishing our first sustained inquiry into nonfiction cinema from the territories of former Yugoslavia. At a time when new nationalisms are again on the horizon, what ...
Normality: The 2022 Cannes Film Festival Daniel Fairfax August 2022 Festival Reports “Back to normal” was undoubtedly the prevailing ethos of this year’s Cannes film festival. This was to be expected after the cancellation of the festival in 2020, with even the powers-that-be at Cannes having t...
Human is only human when vulnerable: An Interview With Michel Franco Savina Petkova May 2022 Interviews In less than 20 years, writer-director Michel Franco has carved a niche for himself in the more austere parts of world cinema. The Mexican filmmaker has never shied away from representing thorny issues on scree...
How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan Kyle Barrowman May 2022 Book Reviews To say that a book devoted to analysing camera movement is an exemplary instance of ordinary language philosophy may raise a few eyebrows. Indeed, it may lead some to wonder if I did not miss the point of the b...
Magee, Patrick Mark Lager May 2022 Great Actors b. 31 March 1922 Armagh, Northern Ireland d. 14 August 1982 London, England Patrick Magee was born one hundred years ago (exactly two weeks after St. Patrick’s Day) at 2 Edward Street in 1922 in Northern Irel...
Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper Dechlan Cochran January 2022 Feature Articles There are countless films that peddle in the reification of dreams, and countless filmmakers for whom that is their primary mode. From David Lynch’s penchant for allusive unlogic, to Kamal Swaroop’s bustling po...