We Can’t Save The Victims: Hauntology in Tony Scott’s Déjà Vu Aryan Tauqeer Khawaja November 2023 Feature Articles “To haunt does not mean to be present, and it is necessary to introduce haunting into the very construction of a concept” - (Specters of Marx: The State of the Debt, the Work of Mourning and the New interna...
A Mirror of the Ever-Changing Cinematic Landscape: the Eclectic Oeuvre of James Scott Sofie Cato Maas January 2021 Interviews When viewed in retrospect, the vast and versatile oeuvre of British director James Scott (b. 1941), the son of the famous abstract painter William Scott and sculptor Mary Scott, may be best described as a body ...
Scott, Tony Jeremy Carr October 2020 Great Directors b. 21 June, 1944, Tynemouth, Northumberland, England, UK d. 19 August, 2012, San Pedro, Los Angeles, California, USA When Tony Scott passed away at the age of 68, his unexpected death sent shockwaves throug...
The Critic as Creator: Better Living through Criticism, by A.O. Scott Joshua Sperling June 2017 Book Reviews A.O. Scott is one of the few film critics working today whose fuller personality comes through in their prose. From his weekly reviews for the New York Times – always animated, hyper-readable, and often subtly ...
‘A Certain Blind Look’: Žižek’s ‘absolute undecidability’ in Joseph Conrad’s ‘The Duel’ and Ridley Scott’s The Duellists Kit MacFarlane June 2016 Feature Articles For Slavoj Žižek, Charlie Chaplin's City Lights (1931) is "perhaps the purest case of a film which, so to speak, stakes everything on its final scene." This is not to be understood in the sense that this fi...
Screening Life/Death: Deathwatch: American film, technology, and the end of life by C. Scott Combs Tyson Stewart March 2016 Book Reviews Deathwatch presents a sweeping history of on-screen death, from the silent film era to recent Hollywood blockbusters. Historically, American film has accompanied depictions of death with some kind of mark of re...
A Culture Cleft in Two – The Documentaries of Scott Millwood Dan Edwards November 2012 Tasmania and the Cinema “I want to talk about epic poetry.” I still remember the shock when Scott Millwood opened a documentary masterclass in the bowels of the Bondi Pavilion with these words back in 2004. I was covering the class fo...
Performance Anxiety: Shine (Scott Hicks, 1996) Fincina Hopgood March 2011 Key Moments in Australian Cinema Australian cinema rarely embraces the bold, hyperbolic flourish of full-blown melodrama; our family melodramas tend to remain grounded in a realist aesthetic (1). As one of the most successful films of the 1990...
Danish Dogmas: Purity and Provocation: Dogma ’95 edited by Mette Hjort and Scott MacKenzie Ove Christensen October 2004 Book Reviews In 1995 the (in)famous Danish director Lars von Trier and the young director Thomas Vinterberg launched a manifesto for filmmaking known as Dogma '95 and a set of rules – The Vow of Chastity – that had to be ob...
The Swine who Rewrote F. Scott Fitzgerald: Joseph L. Mankiewicz as Producer Tag Gallagher October 2003 Feature Articles As a producer for MGM, Mankiewicz put his signature on films by a variety of directors – not necessarily for the better.
On New Shores: The 27th San Francisco Silent Film Festival Jonathan Mackris August 2024 Festival Reports First, a bit of news from the front. Those who have been following some of the local drama outlined in my last dispatch from the San Francisco Silent Film Festival know that this year’s edition is the first in ...
Guzmán, Patricio Matthew J. Losada August 2024 Great Directors b. 11 August, 1941, Santiago, Chile Patricio Guzmán’s career in documentary film now stretches through six decades. He started out as a young man filming on the streets a political movement and the challenges ...
Where Amateurs Shine – A Grand Entrance for Many: Interview with Agustín Mendilaharzu about El Pampero Cine and Clementina Hamed Sarrafi August 2024 22 Years of El Pampero Cine During the global lockdown, the film industry faced significant disruptions that challenged filmmakers both creatively and logistically. However, El Pampero, a collective renowned for its resilience in low-budg...
A Composer’s Passion – Traditions and Syntheses: Interview with Gabriel Chwojnik Hamed Sarrafi August 2024 22 Years of El Pampero Cine Anyone fortunate enough to attend the back-to-back screenings of La Flor (The Flower, Mariano Llinás, 2018) over three nights at the 62nd London Film Festival in 2018 will forever cherish the uniqueness of the ...
Images in Motion: The Currents Program at the 61st New York Film Festival Will DiGravio May 2024 Festival Reports There are two main sites of the New York Film Festival. On the northside of West 65th Street, in the Lincoln Square neighbourhood of Manhattan, is the 268-seat Walter Reade Theater, which sits above the street,...
The 5th Hainan Island International Film Festival: At the construction site Maja Korbecka May 2024 Festival Reports It is customary in China’s film festival environment for there to be is almost no information on the upcoming edition of a festival until the last two, three weeks before the event is scheduled to start. The ne...
Sewn Into the Margins: An Interview with Marie Craven Dirk de Bruyn May 2024 Interviews The following interview with Marie Craven originated from an online interview after a film class viewing of a program of her films as we moved out of Covid. The Zoom transcriptions of that event were trawled an...
Fight the Power: Animated Art and Resistance Jennifer Lynde Barker May 2024 Feature Articles “Make everybody see/in order to fight the powers that be…” - Public Enemy, “Fight the Power” (1989) “And where does the power come from, to see the race to its end? From within.” - Eric Liddell, Chariot...
Greenaway, Peter Sherry Johnson May 2024 Great Directors b. April 5, 1942, Monmouthshire, Wales P is for Peter. G is for Greenaway. – Peter Greenaway was born in Newport, Wales in 1942. His father was a builder’s merchant and ornithologist. His mother was a teacher....
Black Wave: The Legacy of the Exxon Valdez Transcending the Anthropocene/Responding to Nature’s Ethical Call James M. Magrini May 2024 Film and the Nonhuman Bill Nichols presents six conceptual lenses through which to examine the ways in which documentary film functions to invoke and convey its meaning or message, and they are the poetic, expository, observatio...
Yackety Yack, Don’t Talk Back Adrian Danks March 2024 CTEQ Annotations on Film Shot in late 1972 and released at the Melbourne Filmmakers Co-op in mid-September 1974, Dave Jones’ Yackety Yack is one of the key films made in that transitional period between the relative “void” of homegrown...
A Splash of Light in the Darkness: Edward Dmytryk’s Crossfire Wheeler Winston Dixon March 2024 CTEQ Annotations on Film Crossfire (Edward Dmytryk, 1947), often classified as a film noir, and one of the first Hollywood films dealing with antisemitism, didn’t start out with that theme in mind. Instead, the film was based on Richar...
Tribute to a Tyrant: The Bad and the Beautiful Grace Boschetti March 2024 CTEQ Annotations on Film When Gloria Grahame won the Academy Award for Best Supporting Actress for her sub-ten-minute performance in Vincente Minnelli’s The Bad and the Beautiful (1952), presenter Edmund Gwenn made a playful quip about...
Seeing in the Dark at the Adelaide Film Festival Sid Christie, Daniel Kopeikin, Adela Teubner, Will Singleton, Daniel Tune & Travis Jenner January 2024 Festival Reports For its first iteration as an annual event, the Adelaide Film Festival invited audiences to “see in the dark”. Enticing hot-pink branding accompanied a program that consisted of over 130 Australian and internat...
World Poll 2023 – Part 1 the editors January 2024 World Poll ENTRIES IN PART 1: Jacob Agius Antti Alanen Hussain Al-Dubaisi Francisco Algarín Navarro Julien Allen Michael J. Anderson Dan Auiler Swapnil Azad Jessica Balanzategui Martyn Bamber Jennifer Lynde Bar...
World Poll 2023 – Part 2 the editors January 2024 World Poll ENTRIES IN PART 2: José Cabrera Betancort Thomas Caldwell Nicolas Carrasco Michael J. Casey Kevin Cassidy Guilherme Cavalcanti Daryl Chin Kristen Marie Coleman Jesús Cortés Jordan Cronk Joe CruzBrian...
World Poll 2023 – Part 3 the editors January 2024 World Poll ENTRIES IN PART 3: John Edmond William Edwards Geronimo Elortegui Cristóbal Escobar Javier H. Estrada Adalberto Fonkén Gwendolyn Audrey Foster Simon Foster Giampiero Frasca Cynthia FuchsFlora Georgiou...
World Poll 2023 – Part 4 the editors January 2024 World Poll ENTRIES IN PART 4: Michael Heath Maggie Hennefeld Alain Hertay David Heslin Lee Hill Kierran A. HornerBrian Hu Christoph Huber Darik Janik Paul Jeffery Matthew Jordan Michael Heath Screenwrite...
World Poll 2023 – Part 6 the editors January 2024 World Poll ENTRIES IN PART 6: Josh B Mabe Mattia Magi Bob Manning Miguel Marías Jack McCulloch Duncan McLeanTim McQueen Adrian D. Mendizabal Jamie Mendonça Stefano Miraglia Olaf Möller Josh B Mabe A libr...
World Poll 2023 – Part 7 the editors January 2024 World Poll ENTRIES IN PART 7: Jayanth Naga Sai Pasupulati Peter Nagels Virat Nehru Boris Nelepo Andy Norton Veton Nurkollari Gabrielle O’Brien Darragh O’Donoghue Wilfred Okiche SvenErik Olsen Andreea Pătru Ant...
World Poll 2023 – Part 8 the editors January 2024 World Poll ENTRIES IN PART 8: Maria San Filippo Rowena Santos Aquino Jack Sargeant Hamed Sarrafi Christine Sathiah Andrea Schmidt Dr James Slaymaker Valerie Soe Öykü Sofuoğlu Karina Solórzano Mark Spratt Vedan...
In Search of Indie’s Soul: Chinese Independent Cinema Today and Beyond Xiang Fan November 2023 Festival Reports Chinese independent cinema has long been associated with the term ‘underground cinema’ since its emergence in the 1990s. Due to its non-compliance to censorship, it has existed in the grey space between the aut...
Consensus Empire: Empowering the Spectator through Letterboxd Reviews Tyler Thier November 2023 Feature Articles There was an independent cinema in Folly Beach, South Carolina, that was showing Good Time (Josh and Benny Safdie, 2017). A film set in the marginal spaces of Queens? Count me in. I left the theater spellbound ...
Dealing with the past, and present, at the 29th Sarajevo Film Festival Randy Malamud November 2023 Festival Reports Crowds erupted in the narrow streets outside Sarajevo’s stately National Theatre as security guards cleared a space for someone unexpected – though we had a pretty good inkling who it was – pulling up to the re...
A Man of Genius Has Been Seldom Ruined But By Himself: Ethan Warren’s The Cinema of Paul Thomas Anderson Hannah Bonner November 2023 Book Reviews When he was seven, Paul Thomas Anderson wrote in his diary, “I want to be a writer, producer, director, special effects man. I know how to do everything and I know everything” (p. 1). For this millennial wunder...
Woo, John Jeremy Carr November 2023 Great Directors b. September 22, 1946 (birthdate as stated on passport), Guangzhou, China While several filmmakers have become synonymous with specific genres, few have carved out as inimitable and identifiable a niche within...