Senses of Cinema is an online journal devoted to the serious and eclectic discussion of cinema. We believe cinema is an art that can take many forms, from the industrially-produced blockbuster to the hand-crafted experimental work; we also aim to encourage awareness of the histories of such diverse forms. As an Australian-based journal, we have a special commitment to the regular, wide-ranging analysis and critique of Australian cinema, past and present. Senses of Cinema is primarily concerned with ideas about particular films or bodies of work, but also with the regimes (ideological, economic and so forth) under which films are produced and viewed, and with the more abstract theoretical and philosophical issues raised by film study. As well, we believe that a cinephilic understanding of the moving image provides the necessary basis for a radical critique of other media and of the global “image culture”. We are open to a range of critical approaches (auteurist, formalist, psychoanalytic, humanist…) and encourage contributors to experiment with different forms of writing (personal memoir, academic essay, journalistic report, poetic evocation…). We commission and accept articles from academics and journalists, internationally-known authorities and previously unpublished cinephiles alike; our only criteria are that they should shed new light on their subjects, and be informed by a broad knowledge and love of cinema. Likewise, our readership is a genuinely diverse group, bringing together people from a wide range of backgrounds, professions and interests but bound by a single common element: an informed, passionate and serious attitude toward cinema as an art. We recognise that an art as ephemeral and ethereal as cinema continues to fascinate, provoke, inspire, turn on, and evolve. Above all, we seek to facilitate approaches to cinema that present new possibilities for exploring, experiencing and imagining the world we live in. Senses of Cinema (ISSN 1443-4059) is published quarterly by Senses of Cinema Inc. Copyright 1999–2012 Senses of Cinema Inc and the contributors. As under the Copyright Act 1968 (Australia), no part of this journal may be reproduced by any process without the written permission of the editors except for the purposes of private study, research, criticism or review. These works may be read online, downloaded and copied for the above purposes but must not be copied for any other individuals or organisations. The work itself must not be published in either print or electronic form, be edited or otherwise altered or used as a teaching resource without the express permission of the author. All views expressed in this journal are those of the authors and not the editors (unless indicated). Senses of Cinema acknowledges the financial assistance of Film Victoria. Senses of Cinema acknowledges the technical and administrative support of the AFI Research Collection, School of Media and Communication, RMIT University, Melbourne. Founding Editor: Bill Mousoulis Senses of Cinema is indexed in the MLA (Modern Language Association of America) International Bibliography and is listed in the MLA Directory of Periodicals. All Australian content in Senses of Cinema is indexed in APAIS (Australian Public Affairs Information Service) of the National Library of Australia. All reviews of individual films published in Senses of Cinema are indexed in the Movie Review Query Engine.