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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Alec Morgan
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Alec Morgan
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Alec Morgan
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Alec Morgan
      December 2018
      Issue 89
    more articles...
    Random
    • Choice and Chance: A Dialectic of Morality and Romance in Eric Rohmer’s My Night at Maud’s

      Alec Morgan
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
      Issue 54
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Alec Morgan
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Alec Morgan
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Alec Morgan
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Alec Morgan
      December 2018
      Issue 89
    more articles...
    Random
    • Standing on the Edge: The 15th Revelation Perth International Film Festival

      Alec Morgan
      August 2012
      Festival Reports
      Issue 64
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Alec Morgan
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Alec Morgan
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Alec Morgan
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Alec Morgan
      December 2018
      Issue 89
    more articles...
    Random
    • World Cinema

      Understanding Genre in a Globalized World: World Cinema through Global Genres, by William V. Costanzo

      Alec Morgan
      December 2015
      Book Reviews
      Issue 77
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Alec Morgan
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Alec Morgan
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Alec Morgan
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Alec Morgan
      October 2018
      Issue 88
    more articles...
    Random
    • Les dames du Bois de Boulogne

      Alec Morgan
      March 2012
      Cinémathèque Annotations on Film
      Issue 62
  • Great Directors
    Recent
    • Takahata, Isao

      Alec Morgan
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Alec Morgan
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Alec Morgan
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Alec Morgan
      October 2018
      Issue 88
    more articles...
    Random
    • Walsh, Raoul

      Alec Morgan
      July 2002
      Great Directors
      Issue 21
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Author Alec Morgan

Alec Morgan

Alec Morgan is one of Australia’s most experienced documentary filmmakers whose productions have screened on ABCTV and internationally. His credits include Lousy Little Sixpence (1983), Admission Impossible (1992) and The End of the Earth (1990). His short film directing credits include Old Fella Now (1980) and Dusty Hearts (1990). Hunt Angels is his first feature film.

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Re-designing the Past Imperfect: The Making of Hunt Angels

Alec Morgan
November 2006
Film & History Conference Papers
Issue 41
Our visions of history are drawn from diverse sources: not just from the narratives of history books but also from photographs and historical novels, from newsreel footage, comic books and, increasingly,...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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