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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Chrysanthi Nigianni
      October 2019
      Issue 92
    more articles...
    Random
    • Tokyo 1969: Revolutionary Image Thieves in a Disintegrating City

      Chrysanthi Nigianni
      December 2013
      Feature Articles
      Issue 69
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Chrysanthi Nigianni
      October 2019
      Issue 92
    more articles...
    Random
    • Textures of Memory, Images in Flux: The 2012 Melbourne International Film Festival

      Chrysanthi Nigianni
      September 2012
      Festival Reports
      Issue 64
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Chrysanthi Nigianni
      July 2019
      Issue 91
    more articles...
    Random
    • Outsider Documentary and the Technologically Mediated Self: Ferocious Reality by Eric Ames.

      Chrysanthi Nigianni
      June 2013
      Book Reviews
      Issue 67
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Chrysanthi Nigianni
      October 2019
      Issue 92
    more articles...
    Random
    • The Miracle of Morgan’s Creek

      Chrysanthi Nigianni
      March 2011
      Cinémathèque Annotations on Film
      Issue 58
  • Great Directors
    Recent
    • Fei Mu

      Chrysanthi Nigianni
      October 2019
      Issue 92
    • Huston, John

      Chrysanthi Nigianni
      July 2019
      Issue 91
    • Stone, Oliver

      Chrysanthi Nigianni
      July 2019
      Issue 91
    • Klapisch, Cédric

      Chrysanthi Nigianni
      March 2019
      Issue 90
    more articles...
    Random
    • Clouzot, Henri-Georges

      Chrysanthi Nigianni
      July 2005
      Great Directors
      Issue 36
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Author Chrysanthi Nigianni

Chrysanthi Nigianni

Chrysanthi Nigianni is an independent researcher teaching in the sociology and psycho-social program at the University of East London. She is the editor of Deleuze and Queer Theory (EUP, 2009), Deleuzian Politics (New Formations, Issue 68) and Undutiful Daughters (Palgrave, 2012). She is currently completing a monograph on film-philosophy and the notion of the exhausted.

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Chantal Akerman’s Là-bas: The Suspended Image and the Politics of Anti-Messianism

Chrysanthi Nigianni
July 2013
Feature Articles
Issue 67
It is this double exigency-recognition of the closure of the political and practical deprivation of philosophy as regards itself and its own authority– which leads us to think in terms of re-treating the...

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