darragh-odonoghue
Lola
Roy Armes claimed that Max Ophuls, to whom Lola is dedicated, was a cinematic “test case”: For those whose concern is purely visual and whose
Cinema and the Classroom: Education in the Work of Eric Rohmer
In both content and form, a strong pedagogical endeavour has informed the work of Rohmer throughout his career. Darragh O’Donoghue discusses this inclination, focusing on
Rome, Open City
Roma città aperta/Rome, Open City/Open City (1945 Italy 103 mins) Prod Co: Excelsa Film Dir: Roberto Rossellini Scr: Sergio Amidei, Federico Fellini, Roberto Rossellini Phot: Ubaldo
Ascenseur pour l’échafaud
Ascenseur pour l’échafaud/Lift to the Scaffold/Elevator to the Gallows (1957 France 88 mins) Prod Co: Nouvelles Éditions de Films Prod: Jean Thuillier Dir: Louis Malle
The Seventh Seal
Det Sjunde inseglet/The Seventh Seal (1957 Sweden 96 mins) Prod Co: Svensk Filmindustri Prod: Allan Ekelund Dir, Scr: Ingmar Bergman Phot: Gunnar Fischer Ed: Lennart
Comment je me suis disputé… (ma vie sexuelle)
Comment je me suis disputé… (ma vie sexuelle)/Ma vie sexuelle/My Sex Life… or How I got into an Argument (1996 France 178 mins) Prod Co:
Ordet
Ordet/The Word (1955 Denmark 126 mins) Prod Co: Palladium Film Prod: Erik Nielsen Dir: Carl Theodor Dreyer Scr: Carl Theodor Dreyer, based on the play
Dance of the Vampires/The Fearless Vampire Killers
Dance of the Vampires/The Fearless Vampire Killers or: Pardon Me, but Your Teeth are in My Neck (1967 UK 107 mins) Prod Co: M-G-M/Cadre/Filmways Prod:
The Wild One
The Wild One (1953 USA 79 mins) Prod Co: Stanley Kramer Productions/Columbia Pictures Prod: Stanley Kramer Dir: László Benedek Scr: John Paxton, based on the