“La Loïe” as Pre-Cinematic Performance – Descriptive Continuity of Movement Erin Brannigan October 2003 Feature Articles Establishing a connection between the techniques of turn-of-the-century dancer Loïe Fuller and theories of movement emerging at the time, Brannigan argues for the place of Fuller's dancefilm in the development of the cinematic apparatus.
Rainer, Yvonne Erin Brannigan July 2003 Great Directors b. 1934, San Francisco, California, USA filmography bibliography articles in Senses web resources My films always were meant to confound in a certain way. — Yvonne Rainer (1) Dancer, choreographer,...
Maya Deren, Dance, and Gestural Encounters in Ritual in Transfigured Time Erin Brannigan October 2002 Filmmaker Profiles Simultaneously rhythmic and avant-garde, Erin emphasises the importance of dance to Deren's cinema.
