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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Fran Martin
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Fran Martin
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Fran Martin
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Fran Martin
      December 2018
      Issue 89
    more articles...
    Random
    • Thank God We Don't Have a Pope: Habemus Papam, Moretti's Apocalypse

      Fran Martin
      March 2013
      Feature Articles
      Issue 66
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Fran Martin
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Fran Martin
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Fran Martin
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Fran Martin
      December 2018
      Issue 89
    more articles...
    Random
    • The Little Tramp in the Big House: The 2010 Killruddery Film Festival

      Fran Martin
      October 2010
      Festival Reports
      Issue 56
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Fran Martin
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Fran Martin
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Fran Martin
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Fran Martin
      December 2018
      Issue 89
    more articles...
    Random
    • A Feminine Cinematics: Luce Irigaray, Women and Film by Caroline Bainbridge

      Fran Martin
      December 2009
      Book Reviews
      Issue 53
  • CTEQ
    Recent
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Fran Martin
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Fran Martin
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Fran Martin
      October 2018
      Issue 88
    • A City in Transition in Taipei Story (Edward Yang, 1985)

      Fran Martin
      October 2018
      Issue 88
    more articles...
    Random
    • Jazz '34

      Robert Altman’s Jazz ’34

      Fran Martin
      March 2016
      Cinémathèque Annotations on Film
      Issue 78
  • Great Directors
    Recent
    • Takahata, Isao

      Fran Martin
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Fran Martin
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Fran Martin
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Fran Martin
      October 2018
      Issue 88
    more articles...
    Random
    • Welles, Orson

      Fran Martin
      January 2003
      Great Directors
      Issue 24
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Author Fran Martin

Fran Martin

Dr Fran Martin is Lecturer in Cinema Studies at La Trobe University, Australia. She has published widely on media and public culture in contemporary Taiwan, and is author of Situating Sexualities: Queer Representation in Taiwanese Fiction, Film and Public Culture (Hong Kong University Press, 2003), co-editor of Mobile Cultures: New Media and Queer Asia (Duke University Press, 2003) and translator of Angelwings: Contemporary Queer Fiction from Taiwan (Hawaii University Press, 2003). Her current research project investigates lesbian representation in the transnational Chinese popular cultures that span Hong Kong, Taiwan and the People's Republic of China.

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The European Undead: Tsai Ming-liang’s Temporal Dysphoria

Fran Martin
July 2003
Feature Articles
Issue 27
Martin examines the complex, layered workings of cinematic and cultural referencing in this film and its overall sensibility of temporal disjuncture.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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