gino-moliterno
Property is No Longer a Theft
In his later years Elio Petri’s sardonic sense of humour appears to have allowed him to savour the irony of having been perhaps the only
Todo modo
Beginning with the socially-committed films of neo-realism, postwar Italian cinema became, perhaps even more than Italian postwar literature, a form that inherently tended to reflect
Investigation of a Citizen Above Suspicion
Elio Petri’s death in 1982 at the age of only 53 robbed Italy, and the world, of one of the most eclectic and audacious directors
The Sacrifice
The last of what would turn out to be a mere handful of films by this major director, a relatively meagre opus which nevertheless houses
L’amore
L’amore (1948 Italy 78 mins) Prod Co: Tevere Film Prod, Dir: Roberto Rossellini Ed: Eraldo Da Roma Mus: Renzo Rossellini Una voce umana/A Human Voice Scr: Roberto Rossellini
Accattone
Accattone (1961 Italy 120 mins) Source: ScreenSound Australia Prod Co: Arco Film/Cino del Duca Prod: Alfredo Bini Dir, Scr: Pier Paolo Pasolini Phot: Tonino Delli
Francesco Rosi
b. 15 November 1922, Naples, Italy filmography bibliography web resources Widely-known and respected both in Italy and abroad, Francesco Rosi has continued for half a
Pier Paolo Pasolini
b. March 15, 1922, Bologna, Italy d. November 1, 1975, Ostia (Rome), Italy filmography bibliography articles in Senses web resources Outside Italy Pasolini is usually
The Canterbury Tales
The Canterbury Tales (I Racconti di Canterbury, 1971 Italy 109mins) Source: ACMI/NLA Prod. Co: PEA Prod: Alberto Grimaldi Dir, Scr: Pier Paolo Pasolini from Geoffrey
The Sacrifice
The Sacrifice (1986 Sweden 145mins) 35mm Source: Sharmill Films Prod Co: Svensk Filmindustri, Argos Prod: Katinka Farago Dir Scr: Andrei Tarkovsky Phot: Sven Nykvist Ed:
- 1
- 2