Author Greg Dolgopolov

Gregor Jordan (b. 1966, Sale, Victoria) is a versatile Australian director recognised for his capacity to work across multiple platforms (cinema, television, online, documentary, shorts and music video) and...

One of the most disturbing Russian films of all time, Khrustalyov, mashuni (Khrustalyov, My Car!, 1998) provides the audience with a firsthand experience of the madness, paranoia and absurdity that pervaded...

Boris Barnet’s Dom na Trubnoi, Mezhrabpom-Rus (The House on Trubnaya, 1928) is a masterpiece of Soviet silent cinema. It is a delightful comedy of manners that satirises contemporary life in Moscow during...

Aleksandr Nevskiy (Alexander Nevsky) is not central to Eisenstein’s theory of montage and is not considered to be one of his most important works, at least critically. Yet the film exhibits a powerful...

Contemporary Australian cinema has lost any sense of spontaneity or carnivalesque excess in the prison house of worthiness and realism. Aside from genre films, there are now few moments of bedlam, scatological...

1988 was a high point in the cultural transformations that exploded under perestroika. The films produced under these new conditions bore the malignant fruits of glasnost combined with the promise of fresh...

Istoriya Asi Klyachinoy, kotoraya lyubila, da ne vyshla zamuzh (Asya’s Happiness) is a seminal film, a film that suffered numerous title changes and edits by edict. It is a rediscovered classic that was...

Ruslan and Ludmila/Ruslan i Lyudmila (USSR 1972 149 mins) Prod Co: Mosfilm Dir: Alexander Ptushko Scr: Alexander Ptushko, adapted from Alexander Pushkin Phot: I. Gelein, V. Zakharov SFX: I. Felitsyn, E....

November 18, 2005 School of Media, Film & Theatre, University of New South Wales Censorship, lepers, allegory, half-made cinema, self-conscious naivety, neo neo-realism, national cinephilia,...