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  • Features
    Recent
    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Jacques Rivette
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Jacques Rivette
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Jacques Rivette
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Jacques Rivette
      March 2018
      Issue 86
    more articles...
    Random
    • P’tit Quinquin film analysis

      Notes on Bruno Dumont’s P’tit Quinquin, or Something is Rotten in the North of France

      Jacques Rivette
      June 2015
      Feature Articles
      Issue 75
  • Festival Reports
    Recent
    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Jacques Rivette
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Jacques Rivette
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Jacques Rivette
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Jacques Rivette
      March 2018
      Issue 86
    more articles...
    Random
    • Mar del Plata 2016

      Mar del Plata Confidential

      Jacques Rivette
      March 2017
      Festival Reports
      Issue 82
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Jacques Rivette
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Jacques Rivette
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Jacques Rivette
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Jacques Rivette
      March 2018
      Issue 86
    more articles...
    Random
    • Rewriting Japanese Cinema for the Global Age: The Oxford Handbook of Japanese Cinema by Daisuke Miyao (ed.)

      Jacques Rivette
      December 2014
      Book Reviews
      Issue 73
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Jacques Rivette
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Jacques Rivette
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Jacques Rivette
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Jacques Rivette
      March 2018
      Issue 86
    more articles...
    Random
    • Reflection Without Interference: Édouard et Caroline and the Romantic Mundane

      Jacques Rivette
      November 2014
      Cinémathèque Annotations on Film
      Issue 73
  • Great Directors
    Recent
    • Chantal Akerman

      Chantal Akerman

      Jacques Rivette
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Jacques Rivette
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Jacques Rivette
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Jacques Rivette
      December 2017
      Issue 85
    more articles...
    Random
    • Pier Paolo Pasolini

      Jacques Rivette
      December 2002
      Great Directors
      Issue 23
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Author Jacques Rivette

Jacques Rivette

Jacques Rivette’s text, originally titled “Nous ne sommes plus innocents”, first appeared in the Bulletin intérieur du Ciné-club du Quartier Latin, January 1950.

thumb image

We Are Not Innocent Anymore

Jacques Rivette
December 2011
Feature Articles
Issue 61
Originally published in early 1950, this is, quite possibly, the first time Rivette commits his views on cinema to print. And fascinating thoughts they are in the light of his writing and filmmaking to come.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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