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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Jeremiah Kipp
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Jeremiah Kipp
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Jeremiah Kipp
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Jeremiah Kipp
      October 2019
      Issue 92
    more articles...
    Random
    • Pure West: Drive, nostalgia for postmodernism

      Jeremiah Kipp
      July 2012
      Feature Articles
      Issue 63
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Jeremiah Kipp
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Jeremiah Kipp
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Jeremiah Kipp
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Jeremiah Kipp
      October 2019
      Issue 92
    more articles...
    Random
    • Mapping Yin and Yang in the Post-Modern Urban Sprawl: The 2008 AFI Fest/American Film Market

      Jeremiah Kipp
      April 2009
      Festival Reports
      Issue 50
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Jeremiah Kipp
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Jeremiah Kipp
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Jeremiah Kipp
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Jeremiah Kipp
      July 2019
      Issue 91
    more articles...
    Random
    • Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly edited by Elsie M. Walker and David T. Johnson

      Jeremiah Kipp
      October 2010
      Book Reviews
      Issue 56
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Jeremiah Kipp
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Jeremiah Kipp
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Jeremiah Kipp
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Jeremiah Kipp
      October 2019
      Issue 92
    more articles...
    Random
    • The House of Mirth (Terence Davies, 2000)

      Jeremiah Kipp
      October 2019
      Cinémathèque Annotations on Film
      Issue 92
  • Great Directors
    Recent
    • Fei Mu

      Jeremiah Kipp
      October 2019
      Issue 92
    • Huston, John

      Jeremiah Kipp
      July 2019
      Issue 91
    • Stone, Oliver

      Jeremiah Kipp
      July 2019
      Issue 91
    • Klapisch, Cédric

      Jeremiah Kipp
      March 2019
      Issue 90
    more articles...
    Random
    • Clouzot, Henri-Georges

      Jeremiah Kipp
      July 2005
      Great Directors
      Issue 36
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Author Jeremiah Kipp

Jeremiah Kipp

Jeremiah Kipp has written for Filmmaker Magazine, Fangoria, MovieMaker Magazine, Shock Cinema and other publications. He lives in Brooklyn, NY.

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Almereyda, Michael

Jeremiah Kipp
March 2003
Great Directors
Issue 25
b. 1960, Overland Park, Kansas, USA filmography bibliography web resources What a piece of work is a man. How noble in reason, how infinite in faculty. In form, in moving, how express and admirable....
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Beyond Entertainment: An Interview with Film Critic Armond White

Jeremiah Kipp
May 2002
Feature Articles
Issue 20 Issue 20
White is yet another important US critic upholding the tradition of intelligent and independent criticism in the press.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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