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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Jon Jost
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Jon Jost
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Jon Jost
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Jon Jost
      October 2019
      Issue 92
    more articles...
    Random
    • Breathless (Godard, 1960)

      Le Goût du crime: Notes on Gangster Style in New-Wave Paris: Part I

      Jon Jost
      December 2017
      Feature Articles
      Issue 85
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Jon Jost
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Jon Jost
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Jon Jost
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Jon Jost
      October 2019
      Issue 92
    more articles...
    Random
    • Flying Dreams of a Fledgling Festival: The 3rd Middle East International Film Festival

      Jon Jost
      December 2009
      Festival Reports
      Issue 53
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Jon Jost
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Jon Jost
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Jon Jost
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Jon Jost
      July 2019
      Issue 91
    more articles...
    Random
    • Representing Identity: Finding Ourselves at the Movies: Philosophy for A New Generation, by Paul W. Kahn

      Jon Jost
      June 2014
      Book Reviews
      Issue 71
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Jon Jost
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Jon Jost
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Jon Jost
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Jon Jost
      October 2019
      Issue 92
    more articles...
    Random
    • Gasman

      Gasman (1998)

      Jon Jost
      September 2016
      Cinémathèque Annotations on Film
      Issue 80
  • Great Directors
    Recent
    • Fei Mu

      Jon Jost
      October 2019
      Issue 92
    • Huston, John

      Jon Jost
      July 2019
      Issue 91
    • Stone, Oliver

      Jon Jost
      July 2019
      Issue 91
    • Klapisch, Cédric

      Jon Jost
      March 2019
      Issue 90
    more articles...
    Random
    • Chambers, Jack

      Jon Jost
      May 2002
      Great Directors
      Issue 20 Issue 20
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Author Jon Jost

Jon Jost

Jon Jost, a former filmmaker, has been fully engaged in digital media since 1996.

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Some Notes on “Political Cinema” Prompted by Seeing Raoul Peck’s Sometimes in April in Competition at the Berlin Film Festival

Jon Jost
April 2005
On Recent Films
Issue 35
A personal reflection written in the heat of the moment soon after the film's screening at the recent Berlin Film Festival.
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End Game: Some thoughts provoked by recent exhibitions, and Godard’s Éloge de l’amour

Jon Jost
January 2003
Feature Articles
Issue 24
Considering the work of three artists, Jost reflects thoughtfully and personally on the course of a 'creative' life and the idea of change, growth and vitality for an artist.
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Leighton Pierce: Master Miniaturist

Jon Jost
May 2002
Feature Articles
Issue 20 Issue 20
With keen perception, Jost explores Pierce's cinema and places it high as the work of a great artist.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

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