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  • Features
    Recent
    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Julian Murphy
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Julian Murphy
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Julian Murphy
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Julian Murphy
      March 2018
      Issue 86
    more articles...
    Random
    • California Dreaming:  P.T. Anderson’s Take on Pynchon’s Inherent Vice

      Julian Murphy
      March 2015
      Feature Articles
      Issue 74
  • Festival Reports
    Recent
    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Julian Murphy
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Julian Murphy
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Julian Murphy
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Julian Murphy
      March 2018
      Issue 86
    more articles...
    Random
    • Festival Reports

      Julian Murphy
      December 2012
      Festival Reports
      Issue 65
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Julian Murphy
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Julian Murphy
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Julian Murphy
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Julian Murphy
      March 2018
      Issue 86
    more articles...
    Random
    • Master Curator of Readymades: Dennis Hopper: The Wild Ride of a Hollywood Rebel by Peter L. Winkler

      Julian Murphy
      December 2014
      Book Reviews
      Issue 73
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Julian Murphy
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Julian Murphy
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Julian Murphy
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Julian Murphy
      March 2018
      Issue 86
    more articles...
    Random
    • Migrant Experiences

      Julian Murphy
      September 2009
      Cinémathèque Annotations on Film
      Issue 52
  • Great Directors
    Recent
    • Chantal Akerman

      Chantal Akerman

      Julian Murphy
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Julian Murphy
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Julian Murphy
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Julian Murphy
      December 2017
      Issue 85
    more articles...
    Random
    • Rex Ingram

      Julian Murphy
      September 2015
      Great Directors
      Issue 76
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Author Julian Murphy

Julian Murphy

Julian Murphy is a lawyer who sometimes writes about books, art and film. You can find his writing in The Millions, The Berlin Review of Books, Art & Australia, Higher Arc and Das Platforms.

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Not so dirty realism: Altman glosses Carver in Short Cuts

Julian Murphy
March 2016
Cinémathèque Annotations on Film
Issue 78
Somebody wins the lottery. The same day, that person’s sister gets killed by a brick falling off a building in Seattle. Those are both the same thing. The lottery was won both ways. The odds of either...
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Three Doors into the Chamber of Ingmar Bergman’s Autumn Sonata

Julian Murphy
June 2015
Cinémathèque Annotations on Film
Issue 75
The edifice of Ingmar Bergman’s oeuvre is of such vast scope and is riddled with such ramifying thematic veins that it is almost impossible to treat any individual work in isolation. If forced to choose,...
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Troubling the Boundary Between Original and Re-enactment: The Stolen Man (El Hombre Robado)

Julian Murphy
April 2015
Cinémathèque Annotations on Film
Issue 74
The canon shouldn’t be put behind glass in a museum. I’m interested in the idea of opening up canonical figures – we should be dealing with them as our contemporaries. (1) - Matías Piñeiro The first...

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