Author Leonardo Goi

I am flicking through the notes of my second year at IndieLisboa, and sensing a pattern. Writing from Portugal a year ago, I remember praising a handful of documentaries, hailing one (Donal Foreman’s The...

It took an open-air screening of Panos Cosmatos’ Mandy - held in the courtyard of an abandoned castle in the middle of Transylvania, and with lead actor and megastar Nicolas Cage in attendance - to make me...

Sitting in the dim-lit bar of Berlin’s most iconic theatre, the Volksbühne (a slab of concrete of modernist grandeur located in the heart of the former East Berlin, the Rosa-Luxemburg-Platz), RaMell Ross...

“You’ve come prepared,” a member of the guest management team from the Tallinn Black Nights Film Festival (PÖFF, in its Estonian acronym) giggled at my extra-large winter jacket as I stepped out of the...

The tote bag I picked up at the headquarters of the International Film Festival Rotterdam (IFFR) had four fluorescent words printed on it, one for each feeling the festival’s 48th edition promised to make me...

In the weeks leading up to the 75th Venice film festival, buzz around the festival had less to do with its stellar lineup (arguably the most promising in recent years) and more to do with the festival’s...

I am interviewing Donal Foreman at the headquarters of IndieLisboa about his entry in the Portuguese extravaganza’s international competition, The Image You Missed. The chat is coming to an end – a member...

“It’s called Black Nights for a reason,” previous attendees of the Tallinn Black Nights Film Festival had warned me on my way to Estonia. Named after the darkness that takes the Baltic capital hostage...