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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Leonardo Goi
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Leonardo Goi
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Leonardo Goi
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Leonardo Goi
      December 2018
      Issue 89
    more articles...
    Random
    • Cocksucker Blues: The Rolling Stones and Some Notes on Robert Frank

      Leonardo Goi
      October 2010
      Feature Articles
      Issue 56
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Leonardo Goi
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Leonardo Goi
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Leonardo Goi
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Leonardo Goi
      December 2018
      Issue 89
    more articles...
    Random
    • A Cinema Fest for All: The 18th Busan International Film Festival

      Leonardo Goi
      December 2013
      Festival Reports
      Issue 69
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Leonardo Goi
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Leonardo Goi
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Leonardo Goi
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Leonardo Goi
      December 2018
      Issue 89
    more articles...
    Random
    • Jean-Luc Godard True History of Cinema and Television book review

      “…what I was seeking in my history of cinema was to be less alone”: Introduction to a True History of Cinema and Television by Jean-Luc Godard (trans. and ed. Timothy Barnard)

      Leonardo Goi
      June 2015
      Book Reviews
      Issue 75
  • CTEQ
    Recent
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Leonardo Goi
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Leonardo Goi
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Leonardo Goi
      October 2018
      Issue 88
    • A City in Transition in Taipei Story (Edward Yang, 1985)

      Leonardo Goi
      October 2018
      Issue 88
    more articles...
    Random
    • The Chronicle of Anna Magdalena Bach

      A Life Lived for Art: The Chronicle of Anna Magdalena Bach (Jean-Marie Straub and Danièle Huillet, 1968)

      Leonardo Goi
      September 2017
      Cinémathèque Annotations on Film
      Issue 84
  • Great Directors
    Recent
    • Takahata, Isao

      Leonardo Goi
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Leonardo Goi
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Leonardo Goi
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Leonardo Goi
      October 2018
      Issue 88
    more articles...
    Random
    • Assayas, Olivier

      Leonardo Goi
      May 2006
      Great Directors
      Issue 39
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Author Leonardo Goi

Leonardo Goi

Leonardo Goi is an Italian-born, UK-raised freelance journalist and film critic. A member of the 2019 Berlinale Talents and alumnus of the 2017 Locarno Critics Academy, aside from Senses of Cinema, he is a regular contributor to MUBI, The Film Stage and Kinoscope, where he currently serves as deputy editor.

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New Stars, Old Dreams: The 75th Venice Film Festival

Leonardo Goi
December 2018
Festival Reports
Issue 89
In the weeks leading up to the 75th Venice film festival, buzz around the festival had less to do with its stellar lineup (arguably the most promising in recent years) and more to do with the festival’s...
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Conjuring Ghosts: The 15th IndieLisboa

Leonardo Goi
June 2018
Festival Reports
Issue 87
I am interviewing Donal Foreman at the headquarters of IndieLisboa about his entry in the Portuguese extravaganza’s international competition, The Image You Missed. The chat is coming to an end – a member...
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New Eastern Promises: The 21st Tallinn Black Nights Film Festival

Leonardo Goi
February 2018
Festival Reports
Issue 86
“It’s called Black Nights for a reason,” previous attendees of the Tallinn Black Nights Film Festival had warned me on my way to Estonia. Named after the darkness that takes the Baltic capital hostage...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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