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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Martina Lunzer
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Martina Lunzer
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Martina Lunzer
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Martina Lunzer
      December 2018
      Issue 89
    more articles...
    Random
    • All Visual and No Sound Would Make Jack a Dull Boy

      Martina Lunzer
      March 2012
      Feature Articles
      Issue 62
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Martina Lunzer
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Martina Lunzer
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Martina Lunzer
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Martina Lunzer
      December 2018
      Issue 89
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    Random
    • Sundance 2017

      Sundance 2017

      Martina Lunzer
      March 2017
      Festival Reports
      Issue 82
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Martina Lunzer
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Martina Lunzer
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Martina Lunzer
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Martina Lunzer
      December 2018
      Issue 89
    more articles...
    Random
    • Book Reviews

      Martina Lunzer
      September 2012
      Book Reviews
      Issue 64
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Martina Lunzer
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Martina Lunzer
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Martina Lunzer
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Martina Lunzer
      October 2018
      Issue 88
    more articles...
    Random
    • Ju Dou

      A Portrait of Lives Constrained:  Zhang Yimou’s Ju Dou

      Martina Lunzer
      May 2015
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Takahata, Isao

      Martina Lunzer
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Martina Lunzer
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Martina Lunzer
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Martina Lunzer
      October 2018
      Issue 88
    more articles...
    Random
    • Obomsawin, Alanis

      Martina Lunzer
      October 2002
      Great Directors
      Issue 22
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Author Martina Lunzer

Martina Lunzer

Martina Lunzer is a Vienna born artist and essayist presently living in Berlin whilst completing her Masters degree at the Academy of Fine Arts, Vienna. She is the editor of the DVD study edition “Bildverlust”, part of which is dedicated to the filmic representation of Vienna’s Prater district.

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Vienna’s Prater District on Film, or: Looking at the World Again

Martina Lunzer
April 2009
Feature Articles
Issue 50
This article examines the filmic representation of Vienna’s famous Prater district and the many discourses around its historical significance.
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Coming to the World Too Late: A Retrospective on Gerbert Rappaport at the 2008 Diagonale Festival of Austrian Film

Martina Lunzer
May 2008
Festival Reports
Issue 47
1 - 6 April 2008 It was in a small cinema that we gathered. Five mornings in a row in Graz during the Diagonale Film Festival to see about a third of all films directed by Gerbert Rappaport...
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Void in the Voices: The 44th Vienna International Film Festival (Viennale)

Martina Lunzer
February 2007
Festival Reports
Issue 42 Issue 42
13–25 October 2006 If an annual festival like the Viennale were to be encapsulated by a general motto, this year’s edition might be called If there still is anything to say, how can we say it (in...

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