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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Negar Mottahedeh
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Negar Mottahedeh
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Negar Mottahedeh
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Negar Mottahedeh
      October 2019
      Issue 92
    more articles...
    Random
    • Defeating the Irremediable Solitude of the Guest: An Interview with José Luis Guerin

      Negar Mottahedeh
      April 2011
      Feature Articles
      Issue 59
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Negar Mottahedeh
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Negar Mottahedeh
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Negar Mottahedeh
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Negar Mottahedeh
      October 2019
      Issue 92
    more articles...
    Random
    • Audience and Industry: The 24th International Documentary Festival Amsterdam

      Negar Mottahedeh
      February 2012
      Festival Reports
      Issue 62
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Negar Mottahedeh
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Negar Mottahedeh
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Negar Mottahedeh
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Negar Mottahedeh
      July 2019
      Issue 91
    more articles...
    Random
    • Portrait of an Eternal Outsider: The Cinema of Sergei Parajanov by James Steffen

      Negar Mottahedeh
      September 2014
      Book Reviews
      Issue 72
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Negar Mottahedeh
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Negar Mottahedeh
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Negar Mottahedeh
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Negar Mottahedeh
      October 2019
      Issue 92
    more articles...
    Random
    • Sergei Eisenstein

      Negar Mottahedeh
      February 2004
      Cinémathèque Annotations on Film, Feature Articles
      Issue 30
  • Great Directors
    Recent
    • Fei Mu

      Negar Mottahedeh
      October 2019
      Issue 92
    • Huston, John

      Negar Mottahedeh
      July 2019
      Issue 91
    • Stone, Oliver

      Negar Mottahedeh
      July 2019
      Issue 91
    • Klapisch, Cédric

      Negar Mottahedeh
      March 2019
      Issue 90
    more articles...
    Random
    • Denis, Claire

      Negar Mottahedeh
      April 2009
      Great Directors
      Issue 50
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Author Negar Mottahedeh

Negar Mottahedeh

Negar Mottahedeh is a cultural critic and associate professor of literature at Duke University. She specialises in interdisciplinary and feminist contributions to the fields of Middle Eastern Studies and Film and Media Studies.

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Wind: Serendipity and Cinephilia

Negar Mottahedeh
December 2016
The Wind Will Carry Him: Abbas Kiarostami Remembered
Issue 81
In my night, so brief, alas The wind is about to meet the leaves. My night so brief is filled with devastating anguish Hark! Do you hear the whisper of the shadows? This happiness feels foreign to me. I...

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