Looking Away to See: Frazer Lee’s Duty of Care Films Patricia MacCormack July 2004 Beyond the Grave of Genre Revealing the danger of passively trusting in those signifying authorised power, these two short horror films emphasise the agency of the viewer in producing meaning and affect.
Margheriti, Antonio Patricia MacCormack July 2004 Great Directors b. September 19, 1930, Rome, Italy d. November 4, 2002, Viterbo, Italy Filmography Select Bibliography Works Also Cited Web Resources Antonio Margheriti: Pastor of Perversion Take any literary work...
Fulci, Lucio Patricia MacCormack April 2004 Great Directors b. June 17, 1927, Rome, Italy d. March 13, 1996, Rome, Italy filmography references bibliography web resources “And you will face the sea of darkness, and all therein that may be explored.” – ”The ...
Perversion – An Introduction Patricia MacCormack February 2004 Perversion An introduction to the concept of the "perverse" and to this special spotlight on perversion within cinema, representation, and theory.
The Matrix of Visual Culture – Working with Deleuze in Film Theory by Patricia Pisters Patricia MacCormack December 2003 Book Reviews (Stanford: Stanford University Press, 2003) The premise of this book positions it within a disturbing paradigm shift in current academic and philosophical texts. Pisters orients her work around its usefulnes...
Phantasmatic Fissures: Spider Patricia MacCormack July 2003 Feature Articles As a film which dramatises a state of 'schizophrenia', MacCormack argues, by going beyond psychoanalysis, that Spider and indeed Cronenberg's films generally offer creative possibilities for thinking new realities and states.
Christopher Lee: His Italian Journey into Perversion Patricia MacCormack January 2003 Feature Articles An exploration of Lee's Italian films and their specific presentation of perversion, offering viewers access to unconventional forms of desire and a unique viewing experience.
Barbara Steele’s Ephemeral Skin: Feminism, Fetishism and Film Patricia MacCormack October 2002 Feature Articles Led by the force and power of Barbara Steele's image, MacCormack steps beyond traditional feminist film theory to outline a new theory of desire and cinesexuality.
