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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Paul Winkler
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Paul Winkler
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Paul Winkler
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Paul Winkler
      October 2019
      Issue 92
    more articles...
    Random
    • zizek duellists

      'A Certain Blind Look': Žižek's 'absolute undecidability' in Joseph Conrad's 'The Duel' and Ridley Scott's The Duellists

      Paul Winkler
      June 2016
      Feature Articles
      Issue 79
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Paul Winkler
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Paul Winkler
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Paul Winkler
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Paul Winkler
      October 2019
      Issue 92
    more articles...
    Random
    • Circles of Confusion: The 53rd London Film Festival

      Paul Winkler
      December 2009
      Festival Reports
      Issue 53
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Paul Winkler
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Paul Winkler
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Paul Winkler
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Paul Winkler
      July 2019
      Issue 91
    more articles...
    Random
    • Road Trip Through A Cinematically-Constructed America: The Imaginary Geography of Hollywood Cinema, 1960-2000 by Christian B. Long

      Paul Winkler
      June 2018
      Book Reviews
      Issue 87
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Paul Winkler
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Paul Winkler
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Paul Winkler
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Paul Winkler
      October 2019
      Issue 92
    more articles...
    Random
    • Song of the Exile

      Paul Winkler
      October 2010
      Cinémathèque Annotations on Film
      Issue 56
  • Great Directors
    Recent
    • Fei Mu

      Paul Winkler
      October 2019
      Issue 92
    • Huston, John

      Paul Winkler
      July 2019
      Issue 91
    • Stone, Oliver

      Paul Winkler
      July 2019
      Issue 91
    • Klapisch, Cédric

      Paul Winkler
      March 2019
      Issue 90
    more articles...
    Random
    • Cocteau, Jean

      Paul Winkler
      February 2004
      Great Directors
      Issue 30
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Author Paul Winkler

Paul Winkler

Paul Winkler migrated to Australia from Germany in 1959. He made his living as a bricklayer and builder and renovator of old buildings.

thumb image

Reminiscences of John Flaus

Paul Winkler
October 2014
John Flaus Dossier
Issue 72
My first contact with John would be around 1962-63. I had joined the Workers’ Educational Association Film Study Group in Sydney. Not knowing much about cinema, but wanting to know everything, I thought...

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