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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Peter Henné
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Peter Henné
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Peter Henné
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Peter Henné
      October 2019
      Issue 92
    more articles...
    Random
    • ‘Each like a coal drawn from the fire’: Terrence Malick’s The Thin Red Line

      Peter Henné
      July 2012
      Feature Articles
      Issue 63
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Peter Henné
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Peter Henné
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Peter Henné
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Peter Henné
      October 2019
      Issue 92
    more articles...
    Random
    • Taking a Chance on Film: 21st Revelation Perth International Film Festival

      Peter Henné
      September 2018
      Festival Reports
      Issue 88
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Peter Henné
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Peter Henné
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Peter Henné
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Peter Henné
      July 2019
      Issue 91
    more articles...
    Random
    • The Mystical Gaze of the Cinema: The Films of Peter Weir by Richard Leonard

      Peter Henné
      March 2011
      Book Reviews
      Issue 58
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Peter Henné
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Peter Henné
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Peter Henné
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Peter Henné
      October 2019
      Issue 92
    more articles...
    Random
    • Pete Kelly's Blues

      Peter Henné
      May 2000
      Cinémathèque Annotations on Film, John Flaus Dossier
      Issue 72
  • Great Directors
    Recent
    • Fei Mu

      Peter Henné
      October 2019
      Issue 92
    • Huston, John

      Peter Henné
      July 2019
      Issue 91
    • Stone, Oliver

      Peter Henné
      July 2019
      Issue 91
    • Klapisch, Cédric

      Peter Henné
      March 2019
      Issue 90
    more articles...
    Random
    • Epstein, Jean

      Peter Henné
      December 2010
      Great Directors
      Issue 57
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Author Peter Henné

Peter Henné

Peter Henné owns and operates a bookstore in Los Angeles. He earned an MA and BA in philosophy from the University of California, Los Angeles. His film reviews, director's interviews and related articles have been published in Film Journal International where he served as West Coast Editor, and in various Los Angeles publications. His frequent online contributions can be found at Dave Kehr's film blog and the auteurist website http://movies.groups.yahoo.com/group/a_film_by/

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“This Pain Grows Like the Sun”: Epistemology, Myth and History in Black God, White Devil

Peter Henné
July 2012
Feature Articles
Issue 63
I Some films with episodic constructions have better parts than others; each admirer of Le Plaisir (1952) may favour one story adaptation over the other two and present their supporting arguments. Narrative...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

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