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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Rosanna Maule
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Rosanna Maule
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Rosanna Maule
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Rosanna Maule
      October 2019
      Issue 92
    more articles...
    Random
    • Adieu, Eric Rohmer

      Rosanna Maule
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
      Issue 54
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Rosanna Maule
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Rosanna Maule
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Rosanna Maule
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Rosanna Maule
      October 2019
      Issue 92
    more articles...
    Random
    • Killer in the Rain: The Vancouver International Film Festival

      Rosanna Maule
      December 2013
      Festival Reports
      Issue 69
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Rosanna Maule
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Rosanna Maule
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Rosanna Maule
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Rosanna Maule
      July 2019
      Issue 91
    more articles...
    Random
    • A Feminine Cinematics: Luce Irigaray, Women and Film by Caroline Bainbridge

      Rosanna Maule
      December 2009
      Book Reviews
      Issue 53
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Rosanna Maule
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Rosanna Maule
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Rosanna Maule
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Rosanna Maule
      October 2019
      Issue 92
    more articles...
    Random
    • The Life and Death of Colonel Blimp

      Seventy Years Ago… The Return of The Life and Death of Colonel Blimp

      Rosanna Maule
      September 2013
      Cinémathèque Annotations on Film
      Issue 68
  • Great Directors
    Recent
    • Fei Mu

      Rosanna Maule
      October 2019
      Issue 92
    • Huston, John

      Rosanna Maule
      July 2019
      Issue 91
    • Stone, Oliver

      Rosanna Maule
      July 2019
      Issue 91
    • Klapisch, Cédric

      Rosanna Maule
      March 2019
      Issue 90
    more articles...
    Random
    • Ulmer, Edgar G.

      Rosanna Maule
      January 2003
      Great Directors
      Issue 24
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Author Rosanna Maule

Rosanna Maule

Rosanna Maule is Assistant Professor in Film Studies at the Mel Hoppenheim School of Cinema Concordia University, Montréal. She has published articles on contemporary European film authorship, women's authorial film practices, recent Spanish authorial cinema, and reception practices in early Italian cinema.

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The Importance of Being a Film Author: Germaine Dulac and Female Authorship

Rosanna Maule
December 2002
Feature Articles
Issue 23
Rosanna Maule explores the career of Germaine Dulac, arguing that in addition to her status as a pioneering French filmmaker, she is equally historically significant as a theorist and prototypic auteur.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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