Multispecies filmography: networks of kin in the films of Ana Vaz, Sriwhana Spong, and Tina Stefanou Tessa Laird May 2024 Film and the Nonhuman At the end of Brazilian filmmaker Ana Vaz’s It is Night in America, (2022), it is not just the human contributors who are credited. Vaz lists the various filmstocks and cameras used in the production of the fil...
Sonic Disturbance and Chromatic Dissolution: The Cantrills remake Melbourne Tessa Laird November 2017 Screening Melbourne This paper examines the work of Australian experimental film legends, Arthur and Corinne Cantrill, who, over a fifty-year period, perfected a range of avant garde cinematic techniques including experiments with...
