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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Whitney Monaghan
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Whitney Monaghan
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Whitney Monaghan
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Whitney Monaghan
      December 2018
      Issue 89
    more articles...
    Random
    • Sirk, Hollywood and Genre

      Whitney Monaghan
      March 2013
      Feature Articles
      Issue 66
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Whitney Monaghan
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Whitney Monaghan
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Whitney Monaghan
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Whitney Monaghan
      December 2018
      Issue 89
    more articles...
    Random
    • Everywhere, But Not Yet Nowhere: The 63rd Melbourne International Film Festival

      Whitney Monaghan
      October 2014
      Festival Reports
      Issue 72
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Whitney Monaghan
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Whitney Monaghan
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Whitney Monaghan
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Whitney Monaghan
      December 2018
      Issue 89
    more articles...
    Random
    • Book Reviews

      Whitney Monaghan
      September 2012
      Book Reviews
      Issue 64
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Whitney Monaghan
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Whitney Monaghan
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Whitney Monaghan
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Whitney Monaghan
      October 2018
      Issue 88
    more articles...
    Random
    • An Angel at my table

      An Angel at My Table (Jane Campion, 1990)

      Whitney Monaghan
      September 2017
      Cinémathèque Annotations on Film
      Issue 84
  • Great Directors
    Recent
    • Takahata, Isao

      Whitney Monaghan
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Whitney Monaghan
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Whitney Monaghan
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Whitney Monaghan
      October 2018
      Issue 88
    more articles...
    Random
    • Ingram, Rex

      Whitney Monaghan
      September 2015
      Great Directors
      Issue 76
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Author Whitney Monaghan

Whitney Monaghan

Whitney Monaghan is an Assistant Lecturer in Film and Screen Studies at Monash University. Her background is in screen, media and cultural studies and her research examines the representation of gender, queer and youth identities, digital culture, and new forms of screen media. She is the author of Queer Girls, Temporality and Screen Media: Not ‘Just a Phase’ (Palgrave Macmillan, 2016).

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Girlhood Wild and Queer: Ana Kokkinos’s Only The Brave (1994)

Whitney Monaghan
July 2017
Pioneering Australian Women
Issue 83
Ana Kokkinos’ short feature film Only The Brave (1994) opens in darkness with an expressive soundscape composed of soft, breathy murmurs and indeterminate words. These noises seem unmistakably like the...
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DIY, independent, guerrilla: the 10th Sydney Underground Film Festival

Whitney Monaghan
December 2016
Festival Reports
Issue 81
SUFF revels in the weird and wonderful, the avant-garde, alternative and experimental, in low-budget, DIY, independent and guerrilla, in “black comedy, dry comedy, and Japanese batshit crazy comedy” – as...
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Mashup Videos and the Queer Archive

Whitney Monaghan
September 2016
New Directions in Screen Studies
Issue 80
While queer representation in mainstream television is increasing, queer teens remain in a marginal space in screen culture. Often limited to a coming out story, queer characters are typically depicted as...

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