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Issue 32

Letters

from Robert Daudelin, Bernard Eisenschitz, Paul Byrnes, Samuel Macgeorge, and James Leahy Responses to articles, and comments on any aspect of Senses of Cinema, should

Welcome to Issue 32 of our journal!

Marvelling at a scene in The Dreamers in which an auditorium of students sit bug-eyed at a screening of Shock Corridor, Maximilian Le Cain writes

Making Reality

The “amazing grace” of Rossellini's historical TV films

What is the Matrix? Cinema, Totality, and Topophilia

Leary maps the vertiginous images of “totality” presented in The Matrix and its sequels

Daily Reports from the 53rd Melbourne International Film Festival

• Festival Wrap-Up • Friday 6 August • Thursday 5 August • Wednesday 4 August • Monday 2 August • Sunday 1 August • Thursday

Looking Away to See: Frazer Lee’s Duty of Care Films

Revealing the danger of passively trusting in those signifying authorised power, these two short horror films emphasise the agency of the viewer in producing meaning

Diary of a Lost Girl

Diary of a Lost Girl/Tagebuch einer Verlorenen (1929 Germany 120 mins) Source: Transit Film Prod Co: Pabst-Film/Hom-Film Prod, Dir: G.W. Pabst Screen: Rudolf Leonhardt, based

Peter Bogdanovich

b. July 30, 1939, Kingston, New York, USA Filmography Select Bibliography Articles in Senses Web Resources Let Us Sing of the Days That Are Gone…Peter

Particles of Illusion: Guy Maddin and His Precursors

Symbolism, fragmentation and the two “births” of cinema: a close look at the origins of Maddin's unique style

Summer Holiday

Summer Holiday (USA 1948 92 mins) Source: NLA/ACMI Prod Co: MGM Prod: Arthur Freed Dir: Rouben Mamoulian Scr: Frances Goodrich, Albert Hackett, Irving Brecher, Jean

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