Issue 41
Quasi-Documentary, Cellflix and Web Spoofs: Chinese Movies’ Other Visual Pleasures
In China, as elsewhere, new locations and new media have redefined the experience of watching a moving image, beyond the cinematic experience. (1) The visual
Trajectories of Decay: An Interview with Bill Morrison
Bill Morrison is one of the most distinctive voices in the independent film scene. On the occasion of a retrospective of his films at the
Perfect Storm, Imperfect Death
“Nothing tests the resources of cinema like a storm at sea.” So argues Tim Cawkwell who discusses a number of films, including an in-depth analysis
Re-designing the Past Imperfect: The Making of Hunt Angels
Our visions of history are drawn from diverse sources: not just from the narratives of history books but also from photographs and historical novels, from
Pretending to be Himself: Graham Kennedy, Television, Film and Authenticity
It could be argued that Graham Kennedy was the star that Australian television just had to have. The mythology built up around him has required,
Eisenstein and his Method: Recent Publications in Russia
A self diminished to its part becomes a monster. - Marina Tsvetaeva, 1932 In 1998, the world celebrated the centenary of Sergei M. Eisenstein, famous
Grizzly Man
Grizzly Man (2005 USA 104 mins) Prod Co: Discovery Docs Prod: Erik Nelson Dir, Scr: Werner Herzog Phot: Peter Zeitlinger Ed: Joe Bini Mus: Richard
The Lady in Red: Jezebel
Jezebel (1938 USA 103 mins) Prod Co: Warner Bros. Dir, Prod: William Wyler Scr: Robert Buckner, Abem Finkel, John Huston, Clements Ripley, adapted from the
Now, Voyager
Now, Voyager (1942 USA 117 mins) Prod Co: Warner Bros. Prod: Hal B. Wallis Dir: Irving Rapper Scr: Casey Robinson, based on the novel by
Of Human Bondage
Of Human Bondage (1934 USA 88 mins) Prod Co: RKO Prod: Pandro S. Berman Dir: John Cromwell Scr: Lester Cohen from the novel by W.