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Issue 60 | October 2011

400 blows

“I have this special issue of Cahiers du cinéma in front of me”: Remembering Claudine Paquot (1951-2011)

Framed as an introduction to her translation of Serge Toubiana’s tribute, Bérénice Reynaud pays homage to Claudine Paquot, long time head-of-publications at Cahiers

Claudine & Chronenberg. All rights reserved Cahiers du cinema

Claudine Paquot, My Friend for Thirty Years

The former editor of Cahiers du cinéma pays tribute to his colleague and friend

Gualtiero Jacopetti

Gualtiero Jacopetti (1919-2011): The Carnivorous Eye

Jacopetti’s fame will always be tied to the phenomenal success of Mondo Cane; a ground breaking film in more ways than could have been anticipated

Tree of Life

Either and Or: On Terrence Malick’s Tree of Life

Terrence Malick’s poetic and ambiguous film has for the most part divided critics. Moritz Pfeifer offers his thoughts on a film where choosing sides may

Film Socialisme

godard     english     cannes: The Reception of Film Socialisme‘s “Navajo English” Subtitles

Samuel Bréan, founding member of the French Association of Audiovisual Translators, offers some absorbing insights in to Godard’s subtitling strategies

Asphalt

She Works Hard for the Money: Women and Fashion in Weimar Cinema

The socio-cultural currents that informed the Weimer Republic have always provided a fascinating backdrop to German silent cinema. This article weaves a range of issues

Cowboys & Aliens

Cowboys & Aliens: The Exhaustion of History & the Re-Genesis of Illusions

Joseph Natoli digs into this genre-blending hybrid of a film, which inadvertently has much to say about America’s fading sense of history.

Modern Times

Biting Back at the Machine: Charlie Chaplin’s Modern Times

Gregory Stephens provides an indepth analysis of Chaplin’s classic allegory on the machine-age

Kansas

Kansas: Towards a Rhetoric of the 1980s Farm Debt Crisis and the New Depression Film

How much damage did the policies of the Reagan administration inflict on American rural communities? Stephen Larson provides the answers

Herr Lehmann

“Westalgie” in Leander Haußmann’s Herr Lehmann

A supposed nostalgia for the old West Germany before the fall of the Berlin Wall has made its appearance in a number of films. Dorothea

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