Issue 66 | March 2013
[caption id="attachment_16432" align="alignright" width="374" caption="La Notte (Michelangelo Antonioni, 1961)"][/caption] This issue of Senses is dedicated to the memory of Nicola White (1964-2013). Nicola – or
Contents To the Viewer: On Nicholas Ray’s We Can’t Go Home Again by Susan Ray Sirk, Hollywood and Genre by Tom Ryan Bodies in Filmic Space:
[caption id="attachment_16100" align="alignright" width="272" caption="Albie Thoms, 1997 (Photo: Peter Mudie)"][/caption] Albie Thoms (1941-2012) was one of the most significant figures of Australian postwar film culture.
Contents Darragh O’Donoghue on Ballad of Narayama Brian Darr on Carmen Comes Home Gregory Dolgopolov on Khrustalyov, My Car! Tara Judah on Comrades Hamish Ford
Contents Dimitrios Latsis on Film, Art, New Media: Museum without Walls? Kath Dooley on The Beauty of the Real: What Hollywood Can Learn From Contemporary French
Contents Matthew Flanagan on BFI London’s Experimenta Weekend Bérénice Reynaud on AFI FEST & American Film Market (AFM) Dirk de Bruyn on the Alternative Film/Video
b. Cecil Blount deMille, 12th August 1881, Ashfield, Massachusetts, USA d. 21st January 1959, Hollywood, California, USA 1. The Enigmatic Pop Culture Professional Legendary producer-director
It’s taken almost four decades to bring you Nick’s last full-length film We Can’t Go Home Again, and not for lack of trying. Why so long?
Given that Surrealism is commonly cited as one of many artistic influences on David Lynch, attempts to view his films within this framework are surprisingly
1 “I’ve been around the world several times, and now only banality still interests me.” At the beginning of Chris Marker’s Sans soleil (1983), a