A Tale of Two Conferences: For Ever Godard and Garrel Éternel Maximilian Le Cain July 2001 Festival Reports For Ever Godard, June 21 - 24, Tate Modern, London Garrel Éternel, June 26 - 27, Irish Film Centre, Dublin "Jean-Luc Godard? Is he still working? I thought... well, I thought he was dead." It's a depres...
Interview with Kal Ng Liu Xuan November 2000 Interviews Hong Kong independent filmmaker Kal Ng talks about working in Hong Kong.
In Praise of Trailers Brad Stevens September 2000 Feature Articles In this vivid and fascinating account, Brad Stevens gives due to the trailer.
The Best and Worst of the Millennium Sean O’Faileur January 2000 Feature Articles Anyone for a party game?
Some Films of the ’90s Bill Mousoulis January 2000 Feature Articles A personal look at some of the more striking films of the previous decade, Iranian and French films highlighted.
Greenaway, Peter Sherry Johnson May 2024 Great Directors b. April 5, 1942, Monmouthshire, Wales P is for Peter. G is for Greenaway. – Peter Greenaway was born in Newport, Wales in 1942. His father was a builder’s merchant and ornithologist. His mother was a teacher....
A Moviegoer’s Lament, or a Report on Recine, Rio de Janeiro’s International Festival of Archival Cinema Shari Kizirian December 2011 Festival Reports Recine, the International Festival of Archival Cinema, is the stuff a cinephile’s dreams are made of. Its slate bulges with beloved classics, premiering restorations, and a host of new films competing for p...
The Political Matters. The Soul Does, Too. Wise Old Men Rule: The 64th Venice Film Festival Barbara Wurm March 2008 Festival Reports 29 August – 8 September 2007 Every big festival comprises a minimum of two festivals, no matter how you differ your own private cine-right from cine-wrong – high vs low, mainstream vs avant-garde, Ho...
Sins of Omission: A Dissenting View of Robert Bresson Dan Harper May 2007 Spotlight on Robert Bresson At the risk of sounding like the devil, probably, to Bresson’s admirers, Harper expresses some personal doubts about the stature of Bresson’s cinema.
