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  • Features
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Tagged Henri-Georges Clouzot

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Les Diaboliques

Pedro Blas Gonzalez
November 2011
Cinémathèque Annotations on Film
Issue 61
Les Diaboliques (1955) is a tale of cold-blooded, calculated murder and suspense. Murder and suspense are always billed together in this kind of...
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Quai des Orfèvres

David Sanjek
November 2011
Cinémathèque Annotations on Film
Issue 61
During the course of a conversation in the crime drama Quai des Orfèvres (1947) between the photographer Dora Monier (Simone Renant) and the...
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Le Corbeau

Tony Williams
November 2011
Cinémathèque Annotations on Film
Issue 61
As Alan Williams notes, “Le Corbeau is an essential work for world film history, if only because its meanings are still being debated” (1)....
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L’enfer d’Henri-Georges Clouzot

Darragh O’Donoghue
November 2011
Cinémathèque Annotations on Film
Issue 61
The idea of the lost or broken film is central to cinephilia, but its implications are ambiguous. On the one hand, it allows the film lover to...
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Le Mystère Picasso

Wheeler Winston Dixon
November 2011
Cinémathèque Annotations on Film
Issue 61
At first glance, it might seem that a film about Picasso should have been directed by anyone other than Henri-Georges Clouzot, the famous misanthrope...
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The Wages of Fear

Murray Pomerance
November 2011
Cinémathèque Annotations on Film
Issue 61
“Let me tell you the story”, Henri-Georges Clouzot appears to be offering in Le Salaire de la peur (The Wages of Fear, 1953), “of four strange...
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The Wages of Fear

Jonathan Dawson
November 2011
Cinémathèque Annotations on Film
Issue 61
“You don’t know what fear is. But you’ll see. It’s catching. It’s catching like smallpox. And once you get it, it’s for life.” -...
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Clouzot, Henri-Georges

Fiona Watson
July 2005
Great Directors
Issue 36
b. November 20, 1907, Niort, France d. January 12, 1977, Paris, France Filmography Select Bibliography Web Resources Darkness Visible You...

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