Howard Hawks
Bodies in Filmic Space: The Mise en Scène of ‘Courtship Readiness’ in The Big Sleep
Adrian Martin reminds us that mise en scène is ‘the art of bodies in space’. (1) The human body, particularly in motion, generates a complex
Hatari! and the Hollywood Safari Picture
Originally titled “Africa”, the production history of Howard Hawks’ Hatari! is a tale in its own right. Michael J. Anderson teases out its place in
Under the Cover of Darkness: Expressionistic Experimentation in Howard Hawks’ The Criminal Code
The Criminal Code (1931 USA 97 mins) Prod Co: Columbia Pictures Prod: Howard Hawks, Harry Cohn Dir: Howard Hawks Scr: Fred Niblo, Jr., Seton I.
Ceiling Zero
Ceiling Zero (1936 USA 95 mins) Prod Co: Cosmopolitan Pictures and First National/Warner Bros. Prod: Harry Joe Brown Dir: Howard Hawks Scr: Frank Wead, based
Tiger Shark
Tiger Shark (1932 USA 80 mins) Prod Co: First National-Vitaphone/Warner Bros. Prod: Bryan Foy Dir: Howard Hawks Scr: Wells Root [and John Lee Mahin, uncredited],
The Dawn Patrol
The Dawn Patrol (1930 USA 95 mins) Prod Co: First National Pictures/Warner Bros. Prod: Robert North Dir: Howard Hawks Scr: Howard Hawks, Dan Totheroth, Seton
Male Irresponsibility and (Temporary) Redemption: Howard Hawks’ The Crowd Roars
The Crowd Roars (1932 USA 84 mins) Prod Co: First National-Vitaphone/Warner Bros. Prod: Bryan Foy Dir: Howard Hawks Scr: Kubec Glasmon, John Bright, Seton I.
American Triptych: Vidor, Hawks and Ford
Three legendary classical directors are put under the spotlight, and the results of Gallagher’s analysis are always illuminating and surprising
I Was a Male War Bride
I Was a Male War Bride (1949 USA 105 mins) Source: CAC/NLA Prod Co: 20th Century-Fox Prod: Sol C. Siegel Dir: Howard Hawks Scr: Charles
The Big Sleep
The Big Sleep (1946 USA 114 mins) Source: CAC/NLA Prod Co: Warner Bros. Prod, Dir: Howard Hawks Scr: William Faulkner, Leigh Brackett, Jules Furthman, from
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